«ПРИКЛЮЧЕНИЯ ПИНОККИО» КАРЛО КОЛЛОДИ И ИТАЛЬЯНСКАЯ КОМЕДИЯ ДЕЛЬ АРТЕ. В ПОМОЩЬ УЧИТЕЛЮ НАЧАЛЬНЫХ КЛАССОВ
| Autor: | O. Kozorog, L. Konstantinova |
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| Rok vydání: | 2019 |
| Předmět: | |
| Zdroj: | Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство". 3:92-101 |
| ISSN: | 2312-1076 2312-1068 |
| Popis: | The article explores the world-famous work of the Italian writer Carlo Collodi The Adventure of Pinocchio. Despite the fact that the book of Carlo Collodi is addressed to a children's audience, it contains features of satire on Italian reality. The book The Adventures of Pinocchio by Carlo Collodi throws us back to folk laughter culture (term of M. Bakhtin), which is inseparably linked with the traditions of the Italian comedy dell’arte. Just in it Collodi draws the plot for his work. In the book about the adventures of Pinocchio, there is a lot from the carnival laughter culture and from the farce theater in particular. This includes scenes of fights, denudation, buffoonery, throwing various objects by literary characters into each other, dousing the main character with water or sewage, the unprecedented gluttony of the fairy tale characters, their ridicule and humiliation, grotesque exaggeration of appearance, as well as other methods of folk farce. Collodi’s “rhinology” (term of V. Vinogradov) belongs to the world of carnival laugh culture. Mask Medico della Peste (“plague doctor”) with a large bird’s beak is one of the main places in the Italian comedia dell’arte. And the Italian proverb “Who he lies, his nose grows” in some way explains the magical episodes of Pinocchio’s “rhinology” related to the expansion of his nose to huge sizes at those moments when the main character of the fairy tale begins to lie. The book about the wooden man was widely known and recognized in literary circles, and its main character Pinocchio became the prototype of Burattino by Alexei Tolstoy. |
| Databáze: | OpenAIRE |
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