| Autor: |
De Souza, Pauline, Ratnam, Niru, Bardowell, Derek A., Sharma, Alpana, Bhuchar, Suman, Sunmonu, Yinka, Procter, James, Zahir, Samina, Bailey, David A., Enisuoh, Raymond, Croft, Susan, Byrne, Eleanor, Wood, Andy, Ponzanesi, Sandra, Ross, Karen, Sesay, Kadija, Donnell, Alison |
| Předmět: |
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| Zdroj: |
Companion to Contemporary Black British Culture; 2001, p231-253, 23p |
| Abstrakt: |
This section presents a reference source on artists, scholars, associations, events and archives that had influenced black British cultural production from 1970 to 2001. Artist Eugene Palmer came to England with his parents in the mid-1960s. He studied at Wimbledon School of Art and received an M.A. degree from Goldsmiths College in the early 1980s. His early, abstract works are marked by strident colors, which spread across the canvas and retain suggestions of spiritual fantasies. In 1983, the painting, The Flag, marked his transition from abstract to figurative painting. Founded in 1988, arts organization Panchayat took its name from the council of village elders in India. Its initial aim was to be an education and resource project promoting South Asian artists in Great Britain through access to its archive, publications and educational projects. Of Pakistani parentage, Parvez grew up in Birmingham, England listening to reggae music and following local sound systems, and after being introduced in a rock band he formed Aduwa, a reggae group. In 1994, Parvez created a home studio and launched the Dub Factory. The Peckham Publishing Project, a non-profit organization, was part of the Bookplace on Peckham High Street, a community bookshop for people living with Southwark. |
| Databáze: |
Supplemental Index |
| Externí odkaz: |
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