| Abstrakt: |
The article discusses the role of abolitionist approaches in rethinking theatre studies and practices, critiquing the perpetuation of Eurocentric and carceral systems within the Western theatre canon while emphasizing the importance of alternative, liberatory frameworks. It highlights a Zine created by abolitionist scholars and practitioners as a tool to explore decarceral practices in theatre, reflecting on the systemic challenges within the field and advocating for transformative change. |
