| Abstrakt: |
This article contextualizes the professional life and traumatizing lynching death of African American blackface minstrel Louis Wright in New Madrid, Missouri, in 1902. It unearths the physical dangers of "entertaining while Black" in early twentieth-century America. Wright's life serves as a window into the racialized, gendered world of the American minstrel stage, which is gleaned from advertising information, entertainer biographies, and the early twentieth-century theatrical press. The essay highlights the mid-nineteenth-century origins of African American blackface minstrelsy, chronicles obstacles unique to Black traveling performers, and investigates contradictory reporting in African American and White newspaper media accounts of white supremacist violence. Ultimately, the Wright case and the persistence of racial violence were among the motivating factors in the pursuit of autonomous Black traveling theater in American entertainment during the nadir. [ABSTRACT FROM AUTHOR] |
