| Abstrakt: |
The ensemble of wall paintings of the Trinity Gate Church of the Kyiv-Pechersk Lavra is the only entirely preserved example of the pictural decoration of the Church, made in the 18th century (interior), early 20th century (exterior) by masters of the Kyiv school, in Ukraine. The historical review of the methods introduced during the restoration works on the murals of the Church is carried out in the work. The technology of application of a new range of synthetic materials during restoration and their influence on the further preservation of paintings is considered, emphasizing the changes in the materials of painting. The results of the research make it possible to trace the development of the Ukrainian restoration branch on the example of a separate monument, and the findings of the monitoring of paintings reveal the problems of the current state of the object and possible ways to solve them. [ABSTRACT FROM AUTHOR] |
