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CONTENTS B Editorial b Towards an Integrated Community of Artists and Scientists, All Dedicated to Contributing to a Richer Visual Science of Art I Johan Wagemans i ...............2 Our behavioral study revealed a significant cultural impact; while Western participants evaluated traditional Western paintings as more beautiful than Chinese paintings, Chinese participants showed the opposite, i.e., they evaluated traditional Chinese paintings as more beautiful than Western paintings, thus indicating a cultural difference in aesthetic preference. B Optical Effects and Material Outcomes: The Practical Use of the Camera Obscura in the Time of Vermeer b B Jane Jelley b Artist[4], U.K. B Abstract b An experimental exploration of the use of the camera obscura in the seventeenth century considers the material aspects of the work of Johannes Vermeer, and questions the interpretation of optical phenomena in his pictures. B Characteristic Image Statistics Observed in Paintings by Rembrandt van Rijn and his Workshop b B Isamu Motoyoshi b The University of Tokyo, Japan B Abstract b We have previously shown remarkable and systematic differences in the style between classical paintings in Europe and East-Asia in terms of simple image statistics (Motoyoshi, 2012, 2018, etc.). B Artwork by Hennou Ben Houssine b B Hennou Ben Houssine b SP 1 sp B and Valérie Goffaux b SP 2 sp SP 1 sp Artist[20], Belgium SP 2 sp Université Catholique de Louvain, Belgium B Abstract b After studying painting at the Art Academy of Namur (Belgium) with Luc Perot, Bernard Boigelot and Jean-Pierre Gonthier, I studied the history of art and sculpture. [Extracted from the article] |
