| Abstrakt: |
Abstract: The essay focuses on the theme of a musical duet by a man and a young woman engaged in playing the àute and the viola da braccia (respectively da gamba) appearing in two painted versions by Joseph Heintz the Elder and a copy by Jacopo Palma il Giovane. The paintings are dated between 1588 and 1589 when Heintz was living in Venice, where he became acquainted with Palma il Giovane - and allow us to shed some light on hitherto unknown inàuences and per- 139 spectives on the artistic interchange in Venice, which show that Palma was a copyist of Heintz’s works and Heintz was moreover a copyist of a work by Paolo Veronese. The attention is also paid to the iconographic prototype of the paintings. |
