Zobrazeno 1 - 10
of 121
pro vyhledávání: '"zinc white"'
Autor:
Nicoletta Palladino, Mathilde Occelli, Gilles Wallez, Yvan Coquinot, Quentin Lemasson, Laurent Pichon, Slavica Stankic, Victor Etgens, Johanna Salvant
Publikováno v:
Heritage Science, Vol 12, Iss 1, Pp 1-29 (2024)
Abstract This study is the first systematic survey of a large corpus of zinc white (ZnO) artists’ materials. Zinc white is a white pigment developed within the wave of 19th-century technological developments in the paint industry. The composition,
Externí odkaz:
https://doaj.org/article/4c3011ba0d134b66a8a0a8a9e7cdc92e
Autor:
Inez Dorothé van der Werf, Klaas Jan van den Berg, Muriel Geldof, Suzan de Groot, Markus Gross, Ruth Hoppe, Cathja Hürlimann, Laura Kolkena, Friederike Steckling
Publikováno v:
Heritage Science, Vol 12, Iss 1, Pp 1-17 (2024)
Abstract This research provides new insights into the composition of zinc white paints used by Piet Mondrian during his neoplastic period. Nine paintings, dated between 1921 and 1935, were studied, with a focus on three works in the collection of the
Externí odkaz:
https://doaj.org/article/8b057727d24343248094947aebca2188
Akademický článek
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Akademický článek
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Autor:
Kim Pilkjær Simonsen, Josephine Niemann Poulsen, Frederik Vanmeert, Morten Ryhl-Svendsen, Jesper Bendix, Jana Sanyova, Koen Janssens, Francisco Mederos-Henry
Publikováno v:
Heritage Science, Vol 8, Iss 1, Pp 1-11 (2020)
Abstract The formation of metal oxalates in paintings has recently gained a great deal of interest within the field of heritage science as several types of oxalate compounds have been identified in oil paintings. The present work investigates the for
Externí odkaz:
https://doaj.org/article/d7069fd39ba2436dbf06561ba681f6df
Autor:
Andrea Macchia, Chiara Biribicchi, Laura Rivaroli, Hélène Aureli, Eleonora Cerafogli, Irene Angela Colasanti, Paola Carnazza, Giuseppe Demasi, Mauro Francesco La Russa
Publikováno v:
Methods and Protocols, Vol 5, Iss 3, p 52 (2022)
In this study, the investigation of the oil painting on canvas I Tesori del Mare made by Plinio Nomellini in 1901 is presented. The aim of the research was threefold: the examination of the state of conservation in view of the restoration treatment,
Externí odkaz:
https://doaj.org/article/58118578babb45b6936a47f9acaa128f
Akademický článek
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Publikováno v:
Heritage, Vol 4, Iss 46, Pp 828-863 (2021)
Heritage
Volume 4
Issue 2
Pages 46-863
Heritage
Volume 4
Issue 2
Pages 46-863
This paper presents the results of an extensive study of 14 paintings by the pioneering Singapore artist Liu Kang (1911–2004). The paintings are from the National Gallery Singapore and Liu family collections. The aim of the study is to elucidate th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f22a5035388d50d7f350943a874cc42a
https://www.mdpi.com/2571-9408/4/2/46
https://www.mdpi.com/2571-9408/4/2/46
Publikováno v:
Journal of Cultural Heritage. 44:27-37
This article focuses on the analysis of the pigmentary palette of Pio Collivadino (1869–1945), an Argentinian artist of outstanding influence in the national art of the early twentieth century. By using Raman spectroscopy on micro-samples taken fro
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e88307b97af2d830fe0ea69d3919f9d5
https://doi.org/10.1016/j.culher.2020.02.012
https://doi.org/10.1016/j.culher.2020.02.012
Autor:
Damian Lizun
Publikováno v:
Heritage Science, Vol 8, Iss 1, Pp 1-18 (2020)
This paper presents an overview of the results from the ongoing study on the materials and painting technique of the pioneering Singapore artist—Liu Kang. The paintings Zuo La Lu and Nude, which represent two of Liu Kang’s early and distinct arti
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1abe3e4522ea5fd548f15453f0e5aad1
http://link.springer.com/article/10.1186/s40494-020-0363-x
http://link.springer.com/article/10.1186/s40494-020-0363-x