Zobrazeno 1 - 10
of 36
pro vyhledávání: '"yorgos lanthimos"'
Autor:
Türker Körük
Publikováno v:
Art Vision, Vol 30, Iss 52, Pp 72-78 (2024)
Zygmunt Bauman “Cemaatler: Güvenli Olmayan Bir Dünyada Güvenlik Arayışı” isimli kitabında cemaat kavramını kolayca ulaşamayacağımız ama içinde yaşamayı çok arzu ettiğimiz bir dünya olarak tanımlar. Bu dünya, güvenlik arayı
Externí odkaz:
https://doaj.org/article/6c0a90cc561a4d90a4c12c87ff46bc43
Autor:
Carlinda Fragale Pate Nuñez
Publikováno v:
Revista Brasileira de Literatura Comparada, Vol 21, Iss 37 (2024)
Este ensaio aborda “pervivências” do humanismo greco-romano, no filme O Sacrifício do cervo sagrado, de Yorgos Lanthimos (2017), que reinventa o mito grego de Ifigênia, a partir do peculiar processo de transferência de ideias, valores, símbo
Externí odkaz:
https://doaj.org/article/0ef00f639e604f558a4d4df7b3942748
Autor:
Vasiliu, Emanuel-Alexandru
Publikováno v:
Colocvii teatrale / Theatrical Colloquia. 12(2):121-126
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1115441
Autor:
Svitlana Pereplotchykova
Publikováno v:
Вісник Київського національного університету імені Тараса Шевченка. Літературознавство. Мовознавство. Фольклористика, Iss 1(33) (2023)
Ancient Greek subjects preserve their relevance in our times through their timeless, profound and comprehensive consideration of the human soul and interpersonal relations, which remain unchanged throughout the centuries in accordance with human natu
Externí odkaz:
https://doaj.org/article/51393d90f8f54acbab43581cf0672cf3
Autor:
Carlinda Fragale Pate Nuñez
Publikováno v:
Revista Brasileira de Literatura Comparada, Vol 21, Iss 37, Pp 72-80 (2019)
This essay focuses on the “survival” of greek-roman humanism, in the film The Killing of a Sacred Deer, directed by Yorgos Lanthimos (2017), which reinvents the greek myth of Iphigenia, benefiting from a particular process of transference (of ide
Externí odkaz:
https://doaj.org/article/7007592908b946f08692e0e4e2457e0e
Autor:
Fisher, Mark
Publikováno v:
Film Quarterly, 2011 Jun . 64(4), 22-27.
Externí odkaz:
https://www.jstor.org/stable/10.1525/fq.2011.64.4.22
Autor:
Șerban, Andrei C.
Publikováno v:
Caietele Lucian Blaga / “Lucian Blaga” Yearbook. 19(19/2):110-114
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=721355
Autor:
Peña Sarrionandia, Mikel
Publikováno v:
Ámbitos. Revista Internacional de Comunicación. :163-180
En el año 2018 Yorgos Lanthimos recibió diez nominaciones a los premios Oscar gracias a su película The Favourite. Además de eso, el autor también se ha convertido en un habitual en el Festival de Cannes. Estos premios suponen un gran reconocimi
Autor:
Carlo Comanducci
Publikováno v:
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, Iss 5 (2017)
It is no overstatement to say that gesture defines the universe of Yorgos Lanthimos’s cinema. Entire sequences in his films portray the characters as they perform complex and arbitrary gestures, or as they enact, through a series of orchestrated mo
Externí odkaz:
https://doaj.org/article/60d5571595734c01aca3793bfda059d5
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