Gruppenbild mit Dame: »Au juste poids véritable balance« (Amiens, 1518/19), Gerechtigkeitsfiguration im Licht politischer Marienfrömmigkeit

Autor: Erk Volkmar Heyen

Publikováno v: Rechtsgeschichte - Legal History, Vol 30, Pp 336-356 (2022)

The article explores a religious aspect of the genesis of the figure of ›Lady Justice‹ (with sword and scales), describing and interpreting a painting that owes its existence to a local literary association dedicated to the veneration of the Virg

Externí odkaz: https://doaj.org/article/a1efddd3354d4d65b90f60f2ff2cc346

Measuring and weighing psychostasia in Q 6:37–38: Intertexts from the Old Testament

Autor: Llewellyn Howes

Publikováno v: HTS Teologiese Studies/Theological Studies, Vol 70, Iss 1, Pp e1-e9 (2014)

This article is the first of three on the relationship between the Sayings Gospel Q and the ancient concept of ‘psychostasia,’ which is the ancient notion that a divine or supernatural figure weighed people’s souls when judging them. The ultima

Externí odkaz: https://doaj.org/article/c5084d38b9fc46d18d8a5dae0e9f21c3

Le Jugement dernier de Fossa: une vision eschatologique intégrant la représentation du jugement immédiat

Autor: Marcello Angheben

Publikováno v: Hortus artium medievalium: Journal of the International Research Center for Late Antiquity and Middle Ages
Hortus artium medievalium: Journal of the International Research Center for Late Antiquity and Middle Ages, Brepols, 2015, 21, pp.406-420. ⟨10.1484/J.HAM.5.107403⟩

International audience; The Last Judgment, painted between 1260 and 1280 on the west wall of Santa Maria ad Cryptas in Fossa, Abruzzo, partly reproduces the classical Byzantine formula by developing on the first register a representation of the immed

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e9cca5d69959c03acb032d103441c023
https://doi.org/10.1484/j.ham.5.107403