Zobrazeno 1 - 9
of 9
pro vyhledávání: '"tragifarce"'
Publikováno v:
Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво, Vol 4, Iss 1 (2021)
The purpose of the article is to determine the benchmark of the vanguard theatrical movement, which European art criticism reasonably recognized the “Ubu-king, or the Polishers” after Alfred Jarry’s tragifarce, performed in Paris, in the “L
Externí odkaz:
https://doaj.org/article/f989e0c15f634f1b9f4c36f68c4897bd
Autor:
Nataliia Nikoriak
Publikováno v:
Pitannâ Lìteraturoznavstva, Vol 0, Iss 97, Pp 104-117 (2018)
In the direction of post-modernist aesthetics a film version of shakesperian “Hamlet” is analyzed, performed by a Finnish producer Aki Kaurismaki, which manifests itself not only in montaging of the plot structure, the use of play which reveals a
Externí odkaz:
https://doaj.org/article/be02d132611a449c8e8e3e133325be65
Autor:
Nikoriak, Natalia
Publikováno v:
Питання літературознавства / Problems of Literary Criticism. (97):104-117
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=698473
Autor:
Ibrišimović Šabić, Adijata
Publikováno v:
Radovi Filozofskog fakulteta u Sarajevu / Journal of the Faculty of Philosophy. 20(1):247-266
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=680350
The purpose of the articleis to determine the benchmark of the vanguard theatrical movement, which European art criticism reasonably recognized the “Ubu-king, or the Polishers” after Alfred Jarry’s tragifarce, performed in Paris, in the “L’
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2659::cc8810a5ead426217dc999fedc02c3c1
https://zenodo.org/record/5144977
https://zenodo.org/record/5144977
Publikováno v:
Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво; Том 4 № 1 (2021); 8-16
Вестник Киевского национального университета культуры и искусств. Серия: Сценическое искусство; Том 4 № 1 (2021); 8-16
Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art; Vol. 4 No. 1 (2021); 8-16
Вестник Киевского национального университета культуры и искусств. Серия: Сценическое искусство; Том 4 № 1 (2021); 8-16
Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art; Vol. 4 No. 1 (2021); 8-16
The purpose of the article is to determine the benchmark of the vanguard theatrical movement, which European art criticism reasonably recognized the “Ubu-king, or the Polishers” after Alfred Jarry’s tragifarce, performed in Paris, in the “L
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=scientific_p::70118b4397f4c1f7280c5efa559fe90c
http://artonscene.knukim.edu.ua/article/view/234229
http://artonscene.knukim.edu.ua/article/view/234229
Publikováno v:
Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво, Vol 4, Iss 1 (2021)
The purpose of the article is to determine the benchmark of the vanguard theatrical movement, which European art criticism reasonably recognized the “Ubu-king, or the Polishers” after Alfred Jarry’s tragifarce, performed in Paris, in the “L
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doajarticles::4dec1f5d583aa7b48126175923453d87
http://artonscene.knukim.edu.ua/article/view/234229
http://artonscene.knukim.edu.ua/article/view/234229
Autor:
Safiullina, L. G., Mingalieva, L. A.
САФИУЛЛИНА Лилия Гарифулловна, кандидат филологических наук, доцент кафедры русского языка и методики его преподавания, Казанский (При
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2425::da7349f094559d22c0e4406cd0a44810
http://dspace.susu.ru/xmlui/handle/0001.74/40991
http://dspace.susu.ru/xmlui/handle/0001.74/40991
Autor:
Nikoriak, Nataliia
Publikováno v:
Pitannâ lìteraturoznavstva; № 97 (2018); 104-117
Питання літературознавства; № 97 (2018); 104-117
Питання літературознавства; № 97 (2018); 104-117
In the direction of post-modernist aesthetics a film version of shakesperian “Hamlet” is analyzed, performed by a Finnish producer Aki Kaurismaki, which manifests itself not only in montaging of the plot structure, the use of play which reveals a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=scientific_p::6c9b4530191441eb44487ca71d1df833
http://pytlit.chnu.edu.ua/article/view/140099
http://pytlit.chnu.edu.ua/article/view/140099