Zobrazeno 1 - 10
of 44
pro vyhledávání: '"tim crouch"'
Autor:
Andrea Peghinelli
Publikováno v:
Parole Rubate, Vol 14, Iss 27, Pp 113-135 (2023)
When in 2012 Tim Crouch received a commission from the RSC for the World Shakespeare Festival, he wrote the fifth play of his “I, Shakespeare” series: “I, Cinna (The Poet)”. Crouch’s play works on multiple levels of agency: as it challenges
Externí odkaz:
https://doaj.org/article/07544d88c1554e51b520dc0e02b27ae0
Autor:
Bozkurt, Kadriye, Ayan, Meryem
Publikováno v:
Celal Bayar Üniversitesi Sosyal Bilimler Dergisi / Celal Bayar University Journal of Social Sciences. 21(02):33-40
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1133754
Autor:
Marianne Drugeon, Déborah Prudhon
Publikováno v:
Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 28 (2023)
This is a transcript of a conversation with British playwright Tim Crouch and French stage director and translator Catherine Hargreaves, on the occasion of two of Crouch’s plays being performed at the Festival d’Avignon in July 2023. The intervie
Externí odkaz:
https://doaj.org/article/a73a8c6db0a94ab285b5e36069bedf33
Akademický článek
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Autor:
Radosavljević, Duška
Publikováno v:
Játéktér / Playing Area. (2):66-69
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=894159
Autor:
Aloysia Rousseau
Publikováno v:
Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 20 (2020)
Theatre review of total immediate collective imminent terrestrial salvation by Tim Crouch, directed by Andy Smith and Karl James. Royal Court Theatre, London, 3-21 September 2019 (First performed at the Edinburgh International Festival from 7 to 25 A
Externí odkaz:
https://doaj.org/article/9efd16c942c94d9ebed0fb41c5cc8deb
Autor:
Sara Soncini
Publikováno v:
Altre Modernità, Vol 0, Iss 0, Pp 22-35 (2017)
This essay considers Tim Crouch's "I Shakespeare", a suite of monologue plays based on "The Tempest" ("I, Caliban", 2003), "A Midsummer Night's Dream" ("I, Peaseblossom", 2004), "Macbeth" ("I, Banquo", 2005), "Twelfth Night" ("I, Malvolio", 2010) and
Externí odkaz:
https://doaj.org/article/593ecfd3e48c474598501cfc839cf55b
Autor:
Dan Rebellato
Publikováno v:
Sillages Critiques, Vol 22 (2017)
Representations of violence have been at the heart of some key movements in post-war British theatre. In the twenty-first century, however, these representations have evolved in a new way, characterised both by an escalation of the scale and intensit
Externí odkaz:
https://doaj.org/article/2c86e98f59dc4e7dbc120ce9795cc531
Autor:
BOZKURT, Kadriye
Publikováno v:
Volume: 1, Issue: 68 9-16
Atatürk Üniversitesi Edebiyat Fakültesi Dergisi
Atatürk Üniversitesi Edebiyat Fakültesi Dergisi
Bir edim ya da bir süreç olarak ‘uyarlama’ farklı disiplinler içerisinde kullanılmış ve uyarlamanın zamanı, ait olduğu toplum ve uyarlayanın amacıyla ilintili olarak belirli hedefleri gerçekleştirerek edebiyat ve tiyatroda da uygula
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=tubitakulakb::a817b6f09fb52c9d0a59573c676436bb
https://dergipark.org.tr/tr/pub/atauniefd/issue/70661/942247
https://dergipark.org.tr/tr/pub/atauniefd/issue/70661/942247
Akademický článek
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