Composer A. A. Egorov in the History of the Musical Culture of Chuvashia

Autor: Lyubov I. Bushueva

Publikováno v: Этническая культура, Vol 4, Iss 4, Pp 8-14 (2022)

The article is devoted to the creative connections of the famous Soviet conductor and composer A.A. Egorov with the musical culture of Chuvashia in the 1930s. The purpose of the work is to recreate the historical picture of these connections, to dete

Externí odkaz: https://doaj.org/article/f8e0a19d685d479e89b7eafd03c912b8

В диалоге с Бахом: о новых комментирующих композициях в музыке XX века

Autor: Демешко, Галина Андреевна

Publikováno v: Вестник музыкальной науки, Vol 2019, Iss 2 (24), Pp 5-17 (2019)

«Новые комментирующие композиции» -специфический феномен современной музыкальной практики. Их массовое появление в искусстве XX в. обус

Externí odkaz: https://doaj.org/article/7eaeab064e76461e828cdd4553aea947

PROTESTANT CHORALE AND METHODS OF ITS PROCESSING

Autor: V Petresku Ya.

Publikováno v: International Journal of Innovative Technologies in Social Science, Iss 1(29) (2021)
International Journal of Innovative Technologies in Social Science; No 1(29) (2021): International Journal of Innovative Technologies in Social Science
International Journal of Innovative Technologies in Social Science; № 1(29) (2021): International Journal of Innovative Technologies in Social Science

The article is devoted to the consideration of the Protestant chorale, the preconditions of its origin and the first examples. The situation from the history of the early Lutheran church is described, when Martin Luther introduced communal choral sin

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0d0c8e7f08ab67d276614a457618bba0
https://rsglobal.pl/index.php/ijitss/article/view/1930

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The 'folk-choral concept' of the music of Okechukwu Ndubuisi

Autor: Oikhilome, A

Publikováno v: EJOTMAS: Ekpoma Journal of Theatre and Media Arts; Vol 4, No 1-2 (2013)

Okechukwu Ndubuisi is a distinguished composer and arranger of vocal music in Nigeria. Even though he was an accomplished pianist, his major contribution in the field of Nigerian art music was in the choral medium. This work therefore examines the co

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=78975075580c::9714e4f13a123d8a60b34e3e289170c3
https://www.ajol.info/index.php/ejotmas/article/view/120671