Zobrazeno 1 - 10
of 70
pro vyhledávání: '"technical images"'
Publikováno v:
Open Archaeology, Vol 7, Iss 1, Pp 454-481 (2021)
In this art/archaeological study, we question the utility of the interrelated concepts of provenance, provenience, and paradata as applied to assemblages in art, archaeology, and cultural heritage contexts. We discuss how these overlapping concepts a
Externí odkaz:
https://doaj.org/article/d577959fee144d67ac14b912ba432346
Autor:
Andrea Rabbito
Publikováno v:
Cinergie, Vol 6, Iss 12, Pp 227-233 (2017)
In his work, L'Imaginaire, very much praised by Barthes and Augè, Sartre provides us with useful tools to understand the importance of that violent revolution, which started, according to Benjamin, with the arrival of technical images. Specifically,
Externí odkaz:
https://doaj.org/article/10f33bfed77d4c6b8001ac377ec13d3d
Publikováno v:
Design Issues. Autumn2012, Vol. 28 Issue 4, p104-106. 3p.
Autor:
Marcio Seligmann
Publikováno v:
Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 21, Iss 33 (2017)
Abstract: For Vilém Flusser the technical images should be seen as “vacuum cleaners” that suck all history: they accelerate time and metamorphose everything into frozen images. For him we should see those images as the concretization of the Juda
Externí odkaz:
https://doaj.org/article/54c00d93f4714db69d03953e593724f7
Publikováno v:
Open Archaeology, Vol 7, Iss 1, Pp 454-481 (2021)
In this art/archaeological study, we question the utility of the interrelated concepts of provenance, provenience, and paradata as applied to assemblages in art, archaeology, and cultural heritage contexts. We discuss how these overlapping concepts a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::72a8c8df240dc5ee5c683039e3d5c31b
https://doi.org/10.1515/opar-2020-0143
https://doi.org/10.1515/opar-2020-0143
Autor:
Helena Lebre
Publikováno v:
Trans/Form/Ação, Volume: 44, Issue: spe, Pages: 117-140, Published: 11 JUN 2021
RESUMO: Do interior da nossa cultura está a emergir uma outra, definida por um outro paradigma, ainda difuso, mas cujo corolário poderia ser marcado pelo advento da fotografia, protótipo da imagem técnica ou tecnoimagem. É obrigatório rever e r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7195f9a51a68c8610db51b6ff7ec13a7
http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0101-31732021000500117&lng=en&tlng=en
http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0101-31732021000500117&lng=en&tlng=en
Publikováno v:
Intexto; No. 52 (2021); 109802
Intexto; Núm. 52 (2021); 109802
Intexto; N. 52 (2021); 109802
Intexto; n. 52 (2021); 109802
Intexto; n. 52, set./dez. 2021; 109802
Intexto; n. 52, jan./dez. 2021; 109802
Intexto (Porto Alegre)
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Intexto; Núm. 52 (2021); 109802
Intexto; N. 52 (2021); 109802
Intexto; n. 52 (2021); 109802
Intexto; n. 52, set./dez. 2021; 109802
Intexto; n. 52, jan./dez. 2021; 109802
Intexto (Porto Alegre)
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
At the end of Ossos (movie from 1997), filmed in Fontainhas, Lisbon's ghetto of Cape Verdeans, Pedro Costa feels affected by his experiences in the neighborhood and sees his affects not materialized in his images. Between Costa and the “Fontainhas
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::adb8275795622dfa5ef26cccd80dd5b7
https://seer.ufrgs.br/index.php/intexto/article/view/109802
https://seer.ufrgs.br/index.php/intexto/article/view/109802
Autor:
Garcia, Diogo Basei
Trata-se de uma dissertação de mestrado baseada em pesquisa qualitativa, realizada pelo pesquisador / professor, e que investigou suas práticas pedagógicas apoiadas em Mikhail Bakhtin e Paulo Freire. O estudo de caso ocorreu em uma escola estadua