Zobrazeno 1 - 8
of 8
pro vyhledávání: '"tatar theatre"'
Autor:
Rauza R. Sultanova
Publikováno v:
Polylinguality and Transcultural Practices, Vol 21, Iss 3, Pp 558-569 (2024)
The visual world of the modern Tatar theatre is a complex dynamic and self-developing system, which, on the one hand, reflects elements of traditional culture, folklore, rituals, and, on the other hand, various stylistic features of development of th
Externí odkaz:
https://doaj.org/article/d6b2ee5dd410485798e057c626d228ce
Autor:
Elena N. Shevchenko
Publikováno v:
Polylinguality and Transcultural Practices, Vol 21, Iss 3, Pp 547-557 (2024)
The process of formation of the Tatar theater was associated with both the formation of national drama and the development of Russian and foreign classics. The Tatar Theater turned to world drama from the first years of its existence. It was an impor
Externí odkaz:
https://doaj.org/article/dca4dcb95fce47019c211caeb36ec5b0
Autor:
Elena N. Shevchenko
Publikováno v:
Историческая этнология, Vol 9, Iss 2, Pp 276-294 (2024)
In the process of the formation of the Tatar national dramatic art and the formation of the Tatar theatre, Russian and foreign classics played a significant role. The Tatar theatre turned to Western drama from the first years of its existence. Of the
Externí odkaz:
https://doaj.org/article/53606b6224c24c1ab636a487b0eb91cc
Autor:
Aigul R. Salikhova
Publikováno v:
Историческая этнология, Vol 9, Iss 2, Pp 295-302 (2024)
The folkloric character Khoja Nasreddin is widely known in different countries. A cheerful and resourceful hero for many centuries has become an expression of feelings and sentiments of the eastern peoples, their wit, freedom and rebellion. Currently
Externí odkaz:
https://doaj.org/article/05016a4465df4a2c813177fee5c4f825
Autor:
Khabutdinova M., Mukhametshina R.
Publikováno v:
SCOPUS20811128-2017-8-2-SID85034455409
In this article we analyzed the stage interpretation of Sławomir Mrożek's play on the scene of Tatar theatre. The performance of "Shashkan babay" ("The mad grandfather") play was staged on the 10th of February, 2016 by Karim Tinchurin drama and com
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::d55d242fd1d3509a4a0ab28f4a59e69b
https://openrepository.ru/article?id=239843
https://openrepository.ru/article?id=239843
Akademický článek
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Autor:
KAMALIEVA, Alsu
Publikováno v:
Volume: 9, Issue: 14 117-129
Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi
Uludağ Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi
The Kazan Tatar Theatre consists of a very rich historical background. The earliest national theatre plays are seen in the folk plays called Sabantuy. And in its modern concept (meaning), the Kazan Tatar Theatre is the Pioneer of the improvement amon
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=tubitakulakb::755c160a5b64116e1a79685216e5733d
https://dergipark.org.tr/tr/pub/sosbilder/issue/23093/246707
https://dergipark.org.tr/tr/pub/sosbilder/issue/23093/246707
Autor:
Uludağ Üniversitesi., Kamalieva, Alsu
Kazan Tatar Tiyatrosunun çok zengin bir tarihi geçmişi vardır. İlk milli tiyatro örnekleri Sabantuy adlı halk bayramlarında görülür. Modern anlamdaki Kazan Tatar Tiyatrosu ise, Rusya hakimiyetinde yaşayan Türk halkları arasında gelişi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______9458::6053a3b2374294c9997e5f01d229941f
http://hdl.handle.net/11452/13761
http://hdl.handle.net/11452/13761