Zobrazeno 1 - 10
of 1 839
pro vyhledávání: '"storia della musica"'
Autor:
Maria Rosa De Luca
Publikováno v:
Musica Docta, Vol 9, Iss 1, Pp 151-171 (2019)
The article addresses current aspects of teaching and learning music history in Italian secondary schools. It focuses on the contents and methods for the transposition of historical-musical knowledge in connection with a model for music education ins
Externí odkaz:
https://doaj.org/article/18ba90e2f73840a2b381b65bcadbad89
Autor:
Buroni, E.
Publikováno v:
ItalianoLinguadue; Vol. 14 No. 2 (2022): ITALIANO LINGUADUE; 191-219
Italiano LinguaDue; V. 14 N. 2 (2022): ITALIANO LINGUADUE; 191-219
Italiano LinguaDue; V. 14 N. 2 (2022): ITALIANO LINGUADUE; 191-219
I testi per musica offrono molteplici spunti e stimoli per l'insegnamento e l'apprendimento della lingua italiana. I due generi principali, l'opera lirica e la canzone, consentono di approfondire anche lo sviluppo storico del nostro idioma e di affro
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0944aa3a670162914e8f7045f77e4cb8
https://doi.org/10.54103/2037-3597/19657
https://doi.org/10.54103/2037-3597/19657
Autor:
Delama, Alberto
La tesi si concentra sui documenti conservati nel fondo archivistico di Luciano Chailly, depositato presso l'Archivio provinciale di Trento, con l'obiettivo di restituire un profilo critico del compositore e gettare nuova luce sulla sua poetica. Nel
Externí odkaz:
https://hdl.handle.net/11572/392494
Autor:
Dario Oliveri
The intervention concerns the controversy between Schoenberg, Adorno and Mann following the publications of the "Doktor Faustus" and the "Philosophie der neuen Musik". With regard to Adorno's text, the exergo to the essay on Schoenberg and, in a more
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::2002b9ac752f3c5f7bb5972f79074733
https://hdl.handle.net/10447/591740
https://hdl.handle.net/10447/591740
Autor:
Cesare Fertonani
Publikováno v:
ACME; V. 75 N. 1 (2022); 103-116
ACME; Vol. 75 No. 1 (2022); 103-116
ACME; Vol. 75 No. 1 (2022); 103-116
The Suonata a 4 al Santo Sepolcro RV 130 and the Sinfonia al Santo Sepolcro RV 169, two twin compositions probably dating from the 1730s, occupy a singular place in Antonio Vivaldi’s instrumental output. The indication of the title “al Santo Sepo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3eda403ef7ec36a2fed9fdaa6d594518
https://hdl.handle.net/2434/959376
https://hdl.handle.net/2434/959376
Autor:
Lucio Tufano
In the last decades of the eighteenth century, the third act of opera seria was gradually reduced in importance and dimensions until it disappeared altogether. The article studies this process in relation to the repertoire of the San Carlo theatre in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::d49e50a9d330df340f26cbb1de9b97d7
https://hdl.handle.net/10447/584810
https://hdl.handle.net/10447/584810
The Second Death of Concept Albums World-Building and Unification Strategies in the Age of Streaming
Autor:
Mattia Merlini
Publikováno v:
Interdisciplinary Studies in Musicology. :57-73
As the end of the album format is apparently drawing near due to the radical change in music consumption habits motivated by streaming services, artists and genres interested in creating musical works with meanings broader than those of single songs
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5596cf752af4cb4b777b99d8ac9b4f63
https://doi.org/10.14746/ism.2021.21.4
https://doi.org/10.14746/ism.2021.21.4