Zobrazeno 1 - 10
of 43
pro vyhledávání: '"sofonisba anguissola"'
Autor:
Maria Forcellino, Monica Jansen
Publikováno v:
Incontri: Rivista Europea di Studi Italiani, Vol 37, Iss 2 (2024)
Externí odkaz:
https://doaj.org/article/0b56fe93fa27474d97fd02cbb6ab8934
Autor:
Samuel Vitali
Publikováno v:
RIHA Journal (2022)
This article aims to give for the first time an overview of the form and function of women artists’ signatures in early modern Europe, with a particular focus on Italy. Through an analysis of the frequency with which women artists signed their work
Externí odkaz:
https://doaj.org/article/d612dabcc1914e6eb9eec2c5ae4ecd72
Autor:
Morello, Magda
Publikováno v:
Fabrica Litterarum Polono-Italica. 3(1):207-218
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=964065
Autor:
Magda Morello
Publikováno v:
Fabrica Litterarum Polono-Italica, Iss 3 (2021)
Niniejszy artykuł dotyczy życia i twórczości włoskiej, renesansowej malarki Sofonisby Anguissoli, Cel stanowiło dokonanie porównania i interpretacji autoportretów artystki w kontekście jej biografii, na trzech różnych poziomach. Pierwsza w
Externí odkaz:
https://doaj.org/article/17b6a135c4d34b71a2cc73a0db06f3e5
Autor:
Elena Taddia
Publikováno v:
E-Spania, Vol 37 (2020)
This study analyses the notion of intimacy within the context of the Spanish Golden Age during the stay at the court of Philip II of an Italian artist, Sofonisba Anguissola (1532?-1625), employed in 1559 as lady-in-waiting or “companion artist” o
Externí odkaz:
https://doaj.org/article/5900eb72f6a346b797c178506c895150
Akademický článek
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Autor:
Henry, Chriscinda
The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginn
Externí odkaz:
https://library.oapen.org/handle/20.500.12657/93210
Autor:
De Girolami Cheney, Liana
Publikováno v:
Sixteenth Century Journal. Winter93, Vol. 24 Issue 4, p942. 6p. 1 Black and White Photograph.
Autor:
Annemie Leemans
Publikováno v:
Intrecci d'arte, Vol 3, Iss 3 (2014)
The article explores the relation between two miniature painters: the Croatian Giulio Clovio and the Fleming Levina Teerlinc. The starting point of this research is a letter written in the 1540s, which is written by Annibal Caro in name of Giulio Clo
Externí odkaz:
https://doaj.org/article/7ce5524c2d6041b9abc973ea8b6b7e24