Searching the Renewal of the Theatrical Language in the Modern Tatar Theatre: Scenographic Aspect

Autor: Rauza R. Sultanova

Publikováno v: Polylinguality and Transcultural Practices, Vol 21, Iss 3, Pp 558-569 (2024)

The visual world of the modern Tatar theatre is a complex dynamic and self-developing system, which, on the one hand, reflects elements of traditional culture, folklore, rituals, and, on the other hand, various stylistic features of development of th

Externí odkaz: https://doaj.org/article/d6b2ee5dd410485798e057c626d228ce

Світ сценічних образів у оперній творчості Гізели Циполи / The world of scenic images in Gizela Tsipola’s opera creativity

Autor: Dankanych, Hanna

Publikováno v: Міжнародний вісник: Культурологія. Філологія. Музикознавство / International journal: Culturology. Philology. Musicology. (9):173-177

Externí odkaz: https://www.ceeol.com/search/article-detail?id=828250

A interpretação cénica na formação de cantores: refletir sobre qual a importância da disciplina de interpretação cénica nos cursos básico e secundário de canto

Autor: Silva, Sofia Vaz

Publikováno v: Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP

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Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3056::20c1ffdd9abaa55c5c2db300debdc750

The Problem of Theatricality of Russian 'new drama'

Autor: Казанский федеральный университет, Филологический факультет, Институт филологии и искусств, Кафедра зарубежной литературы, 420021 Казань, Россия, ул. Татарстан, д. 2

The essay addresses the notion as ‘theatricality’ as such, its historically changing character and its specific qualities concerning the texts of Russian „new drama”. Following M. Lipovetsky, B. Boymers and others the author points out its pe

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______2515::3b97faf53c0dc5c6819651612ffce82c
https://hdl.handle.net/11089/8943

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