Zobrazeno 1 - 10
of 224
pro vyhledávání: '"roman ingarden"'
Autor:
Hicham Jakha
Publikováno v:
Eidos. A Journal for Philosophy of Culture, Vol 8, Iss 2, Pp 126-157 (2024)
In this article, I analyze Charles Crittenden’s account of fictional objects in his Unreality: The Metaphysics of Fictional Objects (1991). I argue that Crittenden’s sketchy ontology of fictional objects does not support his weak eliminativism. G
Externí odkaz:
https://doaj.org/article/3513208b1fb34968a3479ef66600c5a1
Autor:
Sazan Kryeziu
Publikováno v:
Phainomena, Vol 33, Iss 128-129, Pp 67-84 (2024)
The aesthetics of Roman Ingarden and Nicolai Hartmann are phenomenological in the Husserlian sense of the term. Although both Ingarden as well as Hartmann owe their ideas to Husserl, each of them worked independently of the other and provided differe
Externí odkaz:
https://doaj.org/article/ba8106b0bacd493a9d98a0e9cb9fdb83
Autor:
Somova, Oksana Andreevna
Publikováno v:
Известия Саратовского университета: Новая серия. Серия Философия. Психология. Педагогика, Vol 24, Iss 1, Pp 51-55 (2024)
Introduction. The article reveals some methodological aspects of the phenomenological discussion of the personal subject. The dispute is caused by realistic tendencies in phenomenology, according to which the totality of properties of a thing allows
Externí odkaz:
https://doaj.org/article/21380976d790430b8031017d959cd702
Autor:
Rafał Koschany
Publikováno v:
Kwartalnik Filmowy, Iss 126 (2024)
Stefan Morawski w artykule Ingardenowska koncepcja sztuki filmowej analizuje dwie wypowiedzi wielkiego filozofia poświęcone filmowi: z 1931 i 1947 r., umieszcza je na tle ówczesnej światowej myśli filmowej i zadaje pytanie o ich oryginalność.
Externí odkaz:
https://doaj.org/article/968eac51fe2d4c3aa25f1114a2492d4e
Autor:
Stefan Morawski
Publikováno v:
Kwartalnik Filmowy, Iss 126 (2024)
Przedmiotem rozprawy są dwa teksty Romana Ingardena poświęcone filmowi: krótki fragment książki O dziele literackim z 1931 r., zatytułowany Widowisko kinematograficzne („film”), oraz niezależnie opublikowany w 1947 r. większy szkic Kilka
Externí odkaz:
https://doaj.org/article/bad1444b41004df4951730838954ddf5
Autor:
Piotr Janik
Publikováno v:
Studia Philosophiae Christianae, Vol 59, Iss 2, Pp 83-99 (2023)
Should we approach the lived experience and/or understand the other with the sense of things? If this is the case, how are we to treat the human experience par excellence? Paradoxically, Edith Stein gives a fresh meaning to the Husserlian term “lei
Externí odkaz:
https://doaj.org/article/b2d97d3c0a6d4107b05b10e2c76c2f46
Autor:
Hicham Jakha
Publikováno v:
Estetika, Vol 61, Iss 1, Pp 54–72-54–72 (2024)
In this article, I explore the problems of ficta ‘generation’ and ‘properties’ in light of the philosophies of Alexius Meinong and Roman Ingarden. Comparing Ingarden and the historical Meinong is not a novel idea. By contrast, comparing Ingar
Externí odkaz:
https://doaj.org/article/f74dd50146894eba8c11f28e16ab6141
Autor:
Murár, Tomáš
Publikováno v:
Filosofický časopis, Vol 71, Iss 2, Pp 215-228 (2023)
The study interprets the meaning of abstract art, taking into consideration the phenomenological investigations of the Polish philosopher Roman Ingarden. In 1958, Ingarden drew attention to a specific method of the constitution of a non-representatio
Externí odkaz:
https://doaj.org/article/4c03976977474001972d23b93bdd07f9
Autor:
Kleszcz, Ryszard
Publikováno v:
Roczniki Filozoficzne / Annals of Philosophy. 70(2):129-153
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1064196
Autor:
Brane Senegačnik, Sergej Valijev
Publikováno v:
Clotho, Vol 4, Iss 1 (2022)
Ker nimamo avtorskih didaskalij, je celoten svet drame (vključno s psihično in materialno realnostjo) predstavljen izključno z besedami, ki jih govorijo dramski liki. Roman Ingarden imenuje takšen način predstavljanja shematična reprezentacija:
Externí odkaz:
https://doaj.org/article/88d2473410a74a1e9e75630c779e0527