Influence of entry modes and relationship modes on business services internationalisation

Autor: Jean Philippe, Pierre-Yves Léo

Publikováno v: The Service Industries Journal. 31:643-656

This paper focuses on service firms trying to develop markets at an international level. Such strategies are more and more often adopted, even by small-sized firms in B-to-B activities. Entry modes on foreign markets are of paramount importance as th

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::06a84a7fa7cf74ea38506c905d601253
https://doi.org/10.1080/02642069.2010.504826

Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism

Autor: Diana Delgado-Ureña Díez

Publikováno v: Revista Brasileira de Estudos da Presença, Vol 11, Iss 2, Pp 01-20 (2021)

This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of

Externí odkaz: https://doaj.org/article/bfc8aac606c746f8ae8bb65f317da90b

La Pieza Coreográfica Hacia, de Paloma Bianchi, como Práctica del Perspectivismo Amerindio

Autor: Delgado-Ureña Díez, Diana

En este artículo se plantea una lectura de la obra Hacia (2019) como dispositivo coreográfico crítico frente al problema del desencantamiento del mundo derivado de la separación entre naturaleza y cultura heredada de la Modernidad/colonialidad. S

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=openedition_::1325e4b021aab62bc7922fb1f47931d9
http://journals.openedition.org/rbep/950

La Pièce Chorégraphique Hacia de Paloma Bianchi comme Pratique du Perspectivisme Amérindien

Autor: Diana Delgado-Ureña Díez

Publikováno v: Brazilian Journal on Presence Studies; v. 11, n. 2 (2021): Abr./Jun. 2021; 01-20
Révue Brésilienne d'Études de la Présence; v. 11, n. 2 (2021): Abr./Jun. 2021; 01-20
Revista Brasileira de Estudos da Presença; v. 11, n. 2 (2021): Abr./Jun. 2021; 01-20
Brazilian Journal on Presence Studies; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-20
Révue Brésilienne d'Études de la Présence; Vol. 11 No. 2 (2021): Abr./Jun. 2021; 01-20
Révue Brésilienne d'Études de la Présence; Vol. 11 No 2 (2021): Abr./Jun. 2021; 01-20
Revista Brasileira de Estudos da Presença; v. 11 n. 2 (2021): Abr./Jun. 2021; 01-20
Revista Brasileira de Estudos da Presença
Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
Revista Brasileira de Estudos da Presença, Volume: 11, Issue: 2, Article number: e102528, Published: 15 FEB 2021
Revista Brasileira de Estudos da Presença, Vol 11, Iss 2, Pp 01-20 (2021)

This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::748d9bfd717ebad0788f122b8a3c1c0d
https://seer.ufrgs.br/presenca/article/view/110556

Actors and Actor Relations in Governance of Subsidized Fertilizer Policy in Indonesia.

Autor: Jamil, Ali, Ali, M. Saleh S., Fahmid, Imam M., Salman, Darmawan

Publikováno v: Journal of Advanced Zoology; 2023, Vol. 44 Issue 4, p69-77, 9p