Zobrazeno 1 - 10
of 130
pro vyhledávání: '"post cinema"'
Autor:
Tom Livingstone
Publikováno v:
NECSUS, Vol 13, Iss 1, Pp 180-201 (2024)
Game engines have emerged as a significant site of convergence for several visual media pipelines, from XR to animation and In-Camera VFX (ICVFX). However, they are a computational medium – the images they produce are the derivative by-products of
Externí odkaz:
https://doaj.org/article/bfe12b8461024f1bbfea0e008fca7a83
Autor:
Ariane Hudelet
Publikováno v:
TV Series, Vol 22 (2023)
This article examines the epistemological value of an intermedial approach to TV series: should TV series be associated to the discipline of film studies? Without taking the notion of the “cinematic” for granted, and without limiting the use of t
Externí odkaz:
https://doaj.org/article/b8ef1c07e60e4809bb1bd7368bb7a265
Autor:
Stadelmaier, Philipp
Publikováno v:
Film, 284
Was im digitalen Zeitalter nach dem Ende der Hegemonie des Kinosaals noch als "Kino" zu verstehen ist, wird häufig anhand des Ortes und Dispositivs der Projektion verhandelt. Philipp Stadelmaier wagt ausgehend von den Schriften des Filmkritikers Ser
Externí odkaz:
https://www.ssoar.info/ssoar/handle/document/89280
Autor:
Seth Lewis
Publikováno v:
Multicultural Shakespeare, Vol 24, Iss 39, Pp 53-69 (2021)
The convergence of textuality and multimedia in the twenty-first century signals a profound shift in early modern scholarship as Shakespeare’s text is no longer separable from the diffuse presence of Shakespeare on film. Such transformative abstrac
Externí odkaz:
https://doaj.org/article/7f3e57acc2044312a71674a500317288
Autor:
Hasebrink, Felix
Filmen sieht man nicht vollständig an, wie sie gemacht wurden. Einblicke in ihre Herstellung liefern jedoch andere Filme: Making-ofs, Filme über Filmproduktion, die sich bis ins frühe Kino zurückverfolgen lassen. Making-ofs breiten sich in der po
Externí odkaz:
https://library.oapen.org/handle/20.500.12657/90703
Autor:
Maud Ceuterick
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 21, Pp 89-110 (2021)
While cinema boasts of a long history that has placed the representation and aesthetics of memory at its centre, virtual reality (VR) and augmented reality (AR) are only starting to shape their own aesthetic and narrative engagement with memory. Thro
Externí odkaz:
https://doaj.org/article/a3cdcb7a772644fd96297e8b10db191d
Autor:
Joseph Fischer
Publikováno v:
Cinergie, Iss 19, Pp 105-120 (2021)
Within the last decade, the entertainment industry has witnessed an exponential growth in the production of immersive theme park lands based on popular movie franchises. The diegetic worlds that these environments produce not only endeavor to immerse
Externí odkaz:
https://doaj.org/article/b47614aa366d4e629ee06f4ae988d34f
Autor:
Lewis, Seth
Publikováno v:
Multicultural Shakespeare: Translation, Appropriation and Performance. 24(1):53-69
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1032118
Autor:
Kim, Jihoon, author
Publikováno v:
Documentary's Expanded Fields : New Media and the Twenty-First-Century Documentary, 2022, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780197603819.003.0007