The Three Winds of Albert Lamorisse

Autor: Goodall, Mark

Yes
This text discusses the films of French director Albert Lamorisse in relation to the poetics of cinema. It focuses on three of Lamorisse’s films, Crin Blanc (1953), Le Ballon Rouge (1956) and Le Vent des Amoureux (1978), in order to examin

Externí odkaz: http://hdl.handle.net/10454/16886

Historická poetika tvorby Jima McBridea v kontextu filmových deníků

Autor: Koutesh, Marek

The aim of this thesis was to clarify the reasons of the formal diversity that can be observed in selected films by director Jim McBride. The hypothesis is based on the fact that these movies are characterized by different tendencies of independent A

Externí odkaz: http://www.nusl.cz/ntk/nusl-448753

A Direção de Fotografia no Cinema: uma abordagem sistêmica sobre seu processo de criação

Autor: Santos, Marcelo Moreira

Publikováno v: Revista Digital do LAV; 2020: Revista Digital do LAV-v. 13, n. 1, jan./abr. 2020; 106-128
Revista Digital do LAV ( Laboratório de Artes Visuais)
Universidade Federal de Santa Maria (UFSM)
instacron:UFSM

This article aims to understand the role of the Director of Photography within fictional film productions. Based on the analytical basis by Edgar Morin and Jorge Vieira, the text proposes a reflection on the process of co-authorship, bringing complex

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3056::32b148d05d33502120064934a9a63356
http://periodicos.ufsm.br/revislav/article/view/40856

Norms, Forms and Roles : Notes on the Concept of Norm (not just) in Neoformalist Poetics of Cinema

Autor: Radomír D. Kokeš

Publikováno v: Panoptikum

Norm as a tool of structural analysis and writing of aesthetically based history is a concept designed by Czech structuralist Jan Mukařovský. For several decades, American film scholars David Bordwell and Kristin Thompson have been handling this no

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::84e8d8d7612432fab91eeb0f225a9916
https://is.muni.cz/publication/1642604

La Traversée vers la postmodernité : la transformation de l'Italie à travers le cinéma de Michelangelo Antonioni, Federico Fellini et Pier Paolo Pasolini (1957-1978)

Autor: Wang, Chunchun

La présente thèse étudie la transformation de l’Italie vers la postmodernité (1957-1978) à travers le cinéma de trois auteurs : Michelangelo Antonioni, Federico Fellini et Pier Paolo Pasolini. Elle explore l’historicité du cinéma, en inte

Externí odkaz: http://www.theses.fr/2018PA080020