Zobrazeno 1 - 8
of 8
pro vyhledávání: '"parisa shad ghazvini"'
Publikováno v:
زن در فرهنگ و هنر, Vol 14, Iss 4, Pp 519-543 (2022)
Human-bird hybrid motifs have broad and sometimes conflicting meanings in many parts of the world. In the Islamic era, despite the prohibition of human and animal motifs, this motif is still used in works such as rings of the Seljuk period with a fem
Externí odkaz:
https://doaj.org/article/2a8a8bfb717a4ce2a8d567ae3bd91d05
Publikováno v:
زن در فرهنگ و هنر, Vol 12, Iss 3, Pp 369-392 (2020)
Clothing and ornaments play an important role in shaping the collective identity of tribes. How the body is decorated is a kind of indicator of the structure of life and culture of a people. Adornment has always been an important part of the life tra
Externí odkaz:
https://doaj.org/article/4bda1b973f2745198ac01b85dcd02cd9
Publikováno v:
زن در فرهنگ و هنر, Vol 11, Iss 2, Pp 251-269 (2019)
The use of women's themes in the works of female artists is common and noticeable. It seems that by using this method the artist is able to retrieve latent inner layers and individual identity. At the same time, self-taught female artists are paying
Externí odkaz:
https://doaj.org/article/4467a568b48f43699394072a1ba88115
Autor:
parisa shad ghazvini, kobra barati
Publikováno v:
Jilvah-i hunar, Vol 10, Iss 1, Pp 53-64 (2018)
the good and evil have bilateral meanings from perfection to decadence of humanity. mankind considers everything leading to the God as good and whatever distancing him/her from divine nature is considered evil. The good vs. evil is is a very extended
Externí odkaz:
https://doaj.org/article/4a8d0156f07341d99dfd0a6747e5e7fd
Autor:
Parisa Shad Ghazvini
Publikováno v:
زن در فرهنگ و هنر, Vol 4, Iss 4, Pp 59-74 (2012)
To find the identity, position and status of women in the early centuries of Islamic government, it is necessary to rely on reasonable documents. The pictorial resources and designs remained from artistic works of these times are among the available
Externí odkaz:
https://doaj.org/article/e6d9d8c9b82e4631896ea36a1d783e24
Publikováno v:
Art & Perception. 10:159-199
In the city of Tehran, a series of war-themed murals, often focused on strengthening the audience’s historical memory, stand out among all types of urban art. These works of art, which are generated by the government’s order and created by differ
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::db1491281643ebe12bfea30605b026a1
https://doi.org/10.1163/22134913-bja10033
https://doi.org/10.1163/22134913-bja10033
Autor:
Parisa Shad Ghazvini
Publikováno v:
Journal of Literature and Art Studies. 6
Performance art in every region and country depends mainly on rules, customs, and beliefs of that particular society hence; this art enjoys diversity with respect to its forms and contents. In contemporary Iran, with the emergence of new artistic
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::117afa7f0a50d78d4c011d08b0e3affc
https://doi.org/10.17265/2159-5836/2016.04.010
https://doi.org/10.17265/2159-5836/2016.04.010
Autor:
Parisa Shad Ghazvini, Khatereh Kamyar
Publikováno v:
Asian Social Science. 12:83
The use of plant designs in artistic works of different nations since a long time ago indicates a close relationship between religion, culture, traditions and rituals in any nation with nature. These designs were usually depicted with a symbolic appr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::58e882e62e908eeb23dea9b3c65061ea
https://doi.org/10.5539/ass.v12n8p83
https://doi.org/10.5539/ass.v12n8p83