Zobrazeno 1 - 10
of 30
pro vyhledávání: '"painting collection"'
Autor:
Ковалев, А.В.
Publikováno v:
Искусство Евразии, Iss 4 (31), Pp 92-111 (2023)
В статье рассматривается коллекция сибирских икон так называемого сузунского письма из частного собрания Андрея Владимировича Ковалё
Externí odkaz:
https://doaj.org/article/52d4aecf00d3437bbfdc2dd24416e38b
Autor:
Basova, I.G.
Publikováno v:
Искусство Евразии, Vol 2021, Iss 1 (20), Pp 142-151 (2021)
In the St. Petersburg Alekseevsky Palace, which belonged to the Grand Prince Alexey Alexandrovich (1850–1908), a rich collection of paintings and drawings was gathered. This collection has never come under the scrutiny of researchers. Shortly after
Externí odkaz:
https://doaj.org/article/f1d761f2bc6343a0bad931b9e46f2ae3
Publikováno v:
Jurnal Tata Kelola Seni, Vol 5, Iss 2, Pp 121-131 (2019)
Museum Istana Kepresidenan Yogyakarta sebagai lembaga kenegaraan memiliki fungsi untuk melindungi, mengembangkan, dan memanfaatkan koleksi yang dimiliki. Konservasi preventif merupakan tindakan untuk mencegah dan meminimalisasi kerusakan atau kerugia
Externí odkaz:
https://doaj.org/article/672b4fde978645f685de1e65029c6cb5
Autor:
Kondzhov, Toni
Publikováno v:
Годишник на Стопанския факултет на СУ „Св. Климент Охридски“ / Yearbook of the Faculty of Economics and Business Administration, Sofia University St Kliment Ohridski. 17(1):129-140
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=772391
Autor:
Kłudkiewicz, Kamila
Publikováno v:
Biuletyn Historii Sztuki / Bulletin of Art History. 79(2):313-344
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=648220
Publikováno v:
Conservar Património, Vol 23, Pp 133-139 (2016)
The main objective of this work was the identification of specific risks affecting the collection of oil paintings in the historic house "Casa dos Patudos" (Alpiarça, Portugal) and the development of mitigation strategies for the risks encountered.
Externí odkaz:
https://doaj.org/article/1538531c18014413a1b1faba5d1453fa
Publikováno v:
Conservar Património; Vol. 34 (2020): II Colloquium Investigations in Heritage Conservation; 109-115
Conservar Património; vol. 34 (2020): II Colóquio Investigações em Conservação do Património; 109-115
Conservar Património; vol. 34 (2020): II Colóquio Investigações em Conservação do Património; 109-115
Many times, records of the materials used by contemporary artists in their first works are scarce. If the work under study has been carried out during the artist youth, sometimes artists just remember to have used synthetic materials but no longer ha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7b40e1ffcd5579bf7503a62551a61370
https://doi.org/10.14568/cp2018062
https://doi.org/10.14568/cp2018062
Publikováno v:
In Situ : Revue de Patrimoines, Vol 43 (2021)
L’École supérieure des beaux-arts de Dresde (HfBK) est, avec l’École des beaux-arts de Paris, l’une des deux académies des beaux-arts en Europe qui possède une collection ancienne et très riche pour l’anatomie artistique. La collection
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::71a44d96f203adf853cb364221836716
http://journals.openedition.org/insitu/30207
http://journals.openedition.org/insitu/30207
Publikováno v:
In Situ : Revue de Patrimoines, Vol 43 (2021)
Die Hochschule für Bildende Künste in Dresden (HfBK) ist neben der École nationale des beaux-arts in Paris eine von zwei Kunstakademien in Europa, die über eine historische und sehr umfangreiche Sammlung zur Künstleranatomie verfügt. Die Anatom
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::68c54ad47f03d0bf0673acac0c6ef4cd
http://journals.openedition.org/insitu/30131
http://journals.openedition.org/insitu/30131
