Zobrazeno 1 - 10
of 19
pro vyhledávání: '"opera audience"'
Autor:
Radu-Giurgiu, Cristina
Publikováno v:
Studia Universitatis Babes-Bolyai - Musica. 67(1):119-137
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1051378
Autor:
Cristina RADU-GIURGIU
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 67, Iss 1 (2022)
When it comes to contemporary audience of the opera, we have in mind a multitude of individuals with extremely diverse and heterogeneous cultural backgrounds, very different tastes and expectations related to the show and to the artists who perform o
Externí odkaz:
https://doaj.org/article/55093844895b4d18baaa24111c957613
Autor:
E. V. Orel
Publikováno v:
Концепт: философия, религия, культура, Vol 0, Iss 1, Pp 193-199 (2019)
The most powerful incentive in the study of Italian is undoubtedly the Italian culture and music at the forefront. It was in Italy that the modern system of musical notation originated a thousand years ago. The Italian musical notes relating to the t
Externí odkaz:
https://doaj.org/article/dd40f28940c04e688128048cec477c08
Autor:
Torgāns, Jānis
Publikováno v:
Musikgeschichte in Mittel- und Osteuropa ; 3 (1998). 3:21-26
Operntheater und -truppen sind im Vergleich zu dramatischem Theater und Schauspieltruppen viel seltener: ich schätze die Proportion Opernhaus zu Theatereinrichtungen etwa 1:7. Auch in Lettland ist das so. Aber eine genauere Prüfung dieses Zustandes
Externí odkaz:
https://ul.qucosa.de/id/qucosa%3A15430
https://ul.qucosa.de/api/qucosa%3A15430/attachment/ATT-0/
https://ul.qucosa.de/api/qucosa%3A15430/attachment/ATT-0/
Autor:
Robinšak, Martina
Magistrsko delo zajema študijo družbene vloge opere skozi čas in je razdeljeno v tri dele. V prvem delu je beseda namenjena antični Grčiji in grški tragediji, ki je pomenila začetek razvoja gledališke umetnosti, iz katere se je iz duha drame
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3505::530df223e6f706f03dfc1521c1be3fcd
https://hdl.handle.net/20.500.12556/RUL-117391
https://hdl.handle.net/20.500.12556/RUL-117391
Autor:
Zechner, Ingeborg
This books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera
Externí odkaz:
http://library.oapen.org/handle/20.500.12657/31605
Autor:
Zechner, Ingeborg
This books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera
Externí odkaz:
http://library.oapen.org/handle/20.500.12657/29391
Autor:
Ingeborg Zechner
Publikováno v:
Das englische Geschäft mit der Nachtigall : Betrachtungen zum italienischen Opernwesen im London des 19. Jahrhunderts
This books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3481bb7630a8705496c4d648785f6898
https://e-book.fwf.ac.at/o:966
https://e-book.fwf.ac.at/o:966