Zobrazeno 1 - 10
of 40
pro vyhledávání: '"op. 28"'
Autor:
DOBSON, JONATHAN
Publikováno v:
International Piano. Nov2023, Issue 97, p53-53. 1/2p.
Publikováno v:
Fanfare: The Magazine for Serious Record Collectors. Jan/Feb2016, Vol. 39 Issue 3, p138-142. 5p.
Autor:
CHURCH, MICHAEL
Publikováno v:
International Piano. Sep2021, Issue 75, p65-66. 2p.
Autor:
CLARKE, COLIN
Publikováno v:
International Piano. Sep2022, Issue 85, p65-65. 1/3p.
Autor:
Saemann, Dave
Publikováno v:
Fanfare: The Magazine for Serious Record Collectors. May/Jun2017, Vol. 40 Issue 5, p196-197. 2p.
Autor:
Gordana Grujić, Mladen Janković
Publikováno v:
Rasprave Instituta za Hrvatski Jezik i Jezikoslovlje, Vol 44, Iss 2, Pp 423-436 (2018)
Observing tension in music is generally a very sensitive research field. Authors like Wallace Berry and Joseph Swain believe that this is a principle which is the most fundamental aspect of music experience through its history, no matter which music
Externí odkaz:
https://doaj.org/article/a35f26c851204f1bac7fac67e3d851fd
Autor:
Parr-Scanlin, Denise1,2
Publikováno v:
Clavier Companion. Mar/Apr2017, Vol. 9 Issue 2, p72-72. 1/3p.
Autor:
C. C.
Publikováno v:
International Piano. Mar/Apr2017, Issue 42, p78-78. 1/5p.
Autor:
Saemann, Dave
Publikováno v:
Fanfare: The Magazine for Serious Record Collectors. Jul/Aug2010, Vol. 33 Issue 6, p233-234. 2p.
Autor:
Johannes Quint
Publikováno v:
Zeitschrift der Gesellschaft für Musiktheorie, Vol 3, Iss 2, Pp 209-222 (2006)
Viele Komponisten des 20. Jahrhunderts, besonders die der ›New York School‹, stellen den Augenblick, die Magie des ›reinen‹ Klangs ins Zentrum ihrer Poetik. Vorläufer dieses Denkens finden sich – wenn auch unter anderen Voraussetzungen –
Externí odkaz:
https://doaj.org/article/8a1537de4422406a8c04978aa81c000e