Zobrazeno 1 - 10
of 10
pro vyhledávání: '"north indian music"'
Autor:
John Napier
Publikováno v:
Empirical Musicology Review, Vol 14, Iss 1-2, Pp 53-65 (2019)
In this paper, I investigate structural proportions in improvised Hindustani (North Indian) vocal music. 235 examples of two types of ālāp were examined: 175 in the genre of khayāl, 60 in the genre of dhrupad. Both studio recordings and recordings
Externí odkaz:
https://doaj.org/article/58f96051e8b64b3eab7eb409543942c0
Autor:
Napier, John
Publikováno v:
International Review of the Aesthetics and Sociology of Music, 2006 Jun 01. 37(1), 85-108.
Externí odkaz:
https://www.jstor.org/stable/30032186
Autor:
Moran, Nikki, author
Publikováno v:
Experience and Meaning in Music Performance, 2013, ill.
Externí odkaz:
https://doi.org/10.1093/acprof:oso/9780199811328.003.0003
Autor:
Clayton, Martin, author
Publikováno v:
Time in Indian Music : Rhythm, Metre, and Form in North Indian Rag Performance, 2008, ill.
Externí odkaz:
https://doi.org/10.1093/acprof:oso/9780195339680.003.0012
Autor:
Perlman, Marc1
Publikováno v:
Ethnomusicology. Spring/Summer2011, Vol. 55 Issue 2, p318-324. 7p.
Autor:
Krumhansl, Carol L., author
Publikováno v:
Cognitive Foundations of Musical Pitch, 2001, ill.
Externí odkaz:
https://doi.org/10.1093/acprof:oso/9780195148367.003.0010
Autor:
Kaur, Inderjit
Publikováno v:
Kaur, Inderjit. (2016). When “Unheard Sound” (Re)Sounds: Affective Listening, Ethical Affects, and Embodied Experience in Sikh Sabad Kīrtan. UC Berkeley: Music. Retrieved from: http://www.escholarship.org/uc/item/1vx572rs
In Sikh religious practice, listening to sung sacred poetry (sabad kīrtan) is the chief means of worship and a central part of everyday life for Sikhs around the world. While it is the sacred-text (sabad) that is held as primary and inviolable, and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______325::e645fa5c51619d5eba719da3f2cb87b8
http://www.escholarship.org/uc/item/1vx572rs
http://www.escholarship.org/uc/item/1vx572rs
Akademický článek
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Autor:
John Napier
Publikováno v:
International review of the aesthetics and sociology of music
Volume 37
Issue 1
Volume 37
Issue 1
This paper is inspired in part by the necessity for examination of the cross-cultural application of musical terminology, and suggests that such examination is illuminating of both our understanding and of our own interpretative assumptions. I examin
Kniha
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