Zobrazeno 1 - 7
of 7
pro vyhledávání: '"naseri era"'
Publikováno v:
Faṣlnāmah-i Pizhūhish-i Huqūq-i ̒Umūmī, Vol 21, Iss 66, Pp 313-342 (2020)
From Naseri era until Constitutional Revolution because of lack of Rule of law as a symbol of modern government, voluntarism or king’s volition was one of the most important basis of legal rule validation that had deep roots in traditional and inte
Externí odkaz:
https://doaj.org/article/8f7388f26c86414ea3eeac4e34f0ee1f
Publikováno v:
Faṣlnāmah-i Pizhūhish/hā-yi Rāhburdī-i Siyāsat, Vol 8, Iss 28, Pp 37-64 (2019)
Being Familiar with Naseri era, due to it’s concurrency with the emerge of new civilization in west also the transition period of Iran moving to modern era is of a great importance. This article has been seeking the roots in the lack of forming the
Externí odkaz:
https://doaj.org/article/9afffb46113e4096a56aceaeaa74cc20
Publikováno v:
تاریخ نگری و تاریخ نگاری, Vol 28, Iss 22, Pp 147-176 (2019)
According to thereligious narratives, Jinn is an immaterial creature that which occupies a lower position and to its inorganic intelligence and existence in the hierarchy of the universe, than humans and higher than animals. According to theIslamic n
Externí odkaz:
https://doaj.org/article/879811abe0ac42f3ac761145a806c585
Autor:
Shoja Ahmadvand, Amir maghdor Mashhood
Publikováno v:
دولتپژوهی, Vol 2, Iss 8, Pp 117-151 (2017)
odernism is an episteme which is a formation of knowledge formed in a particular period and region of the world. Episteme is also the result of discourse disputes. Therefore, modernism is the outcome of the current discourse disputes in recent centur
Externí odkaz:
https://doaj.org/article/d272788beb324b938b0049839ea1d6e0
Publikováno v:
پژوهشهای تاریخی ایران و اسلام, Vol 10, Iss 19, Pp 185-210 (2017)
The Qajar period is one of the most important sections of art in Iran. The explicit effects of West art culminated in the age which the painting were also affected. In the Qajar period painting consciously inspired by the art of the Safavid period. I
Externí odkaz:
https://doaj.org/article/c2c831ce2c2749a2b113cf9886d87d38
Publikováno v:
پیکره, Vol 5, Iss 9, Pp 19-33 (2016)
The term modern Iranian art, coming to the fore from the late Naseri era, refers to an integration of European patterns into decorative elements of the Persian art represented in a wide variety of art forms. When the roots of decorative patterns appl
Externí odkaz:
https://doaj.org/article/3cfc630ce31043419ee66eb886d3c8b8
Autor:
Amir maghdor Mashhood, Shoja Ahmadvand
Publikováno v:
Dulat/pizhūhī, Vol 2, Iss 8, Pp 117-151 (2017)
odernism is an episteme which is a formation of knowledge formed in a particular period and region of the world. Episteme is also the result of discourse disputes. Therefore, modernism is the outcome of the current discourse disputes in recent centur
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doajarticles::88c8fb24ed8eb93c34e00e49b97fdc30
http://tssq.atu.ac.ir/article_7200_08a4609d7c6365f290893f324abc9dc1.pdf
http://tssq.atu.ac.ir/article_7200_08a4609d7c6365f290893f324abc9dc1.pdf