Zobrazeno 1 - 10
of 15
pro vyhledávání: '"musical and theoretical thought"'
Autor:
Solomos, Makis (AUTHOR)
Publikováno v:
Contemporary Music Review. 2005, Vol. 24 Issue 4/5, p311-325. 15p.
Autor:
Makis Solomos
Publikováno v:
Contemporary Music Review
Contemporary Music Review, Taylor & Francis, 2005, 25 (4-5), pp.311-326
Contemporary Music Review, Taylor & Francis, 2005, 25 (4-5), pp.311-326
In the 1980s, Vaggione began coupling his compositional work with theorisation that can in many ways be described as conceptualising the issues at stake in recent music. This article attempts to summarise and comment on this conceptualisation by prop
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::03818fb7d5313730d892f4caf9435104
https://hal.archives-ouvertes.fr/hal-03060966
https://hal.archives-ouvertes.fr/hal-03060966
Publikováno v:
Вісник КНУКіМ. Серія «Мистецтвознавство»; № 44 (2021); 73-78
Bulletin of KNUKiM. Series in Arts; No. 44 (2021); 73-78
Вестник КНУКиИ. Серия «Искусствоведение»; № 44 (2021); 73-78
Bulletin of KNUKiM. Series in Arts; No. 44 (2021); 73-78
Вестник КНУКиИ. Серия «Искусствоведение»; № 44 (2021); 73-78
The purpose of the article is to characterise the principles of teaching activities of Mykhailo Svytlik, to reveal his pedagogical influence on the development of professional music education in Transcarpathia at the end of the 20th – beginning of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=scientific_p::75fcb8b48582213c16837501aeca3e67
http://arts-series-knukim.pp.ua/article/view/235321
http://arts-series-knukim.pp.ua/article/view/235321
Autor:
Mykulanynets Lesia
The purpose of the article is to characterise the principles of teaching activities of Mykhailo Svytlik, to reveal his pedagogical influence on the development of professional music education in Transcarpathia at the end of the 20th – beginning of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2659::7cf1b8266052ce9b519e6d73567a9161
https://zenodo.org/record/7424163
https://zenodo.org/record/7424163
Autor:
Pavlenko, Lesya
Publikováno v:
Вісник Національної академії керівних кадрів культури і мистецтв / National Academy of Managerial Staff of Culture and Arts Herald. (1):130-134
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=531481
Autor:
Oksana Hnatyshyn
Publikováno v:
Ukrainian musicology. 46:99-110
Setting problems. The Ukrainian Irmologions represent to our contemporaries the musical and analytical knowledge common in the medieval Ukraine. In line with study of the Ukrainian musical-theoretical heritage, it is important to understand what prob
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1e07efea34f665310f8e219ef9d2e18d
https://doi.org/10.31318/0130-5298.2020.46.234604
https://doi.org/10.31318/0130-5298.2020.46.234604
Publikováno v:
Ukrainian musicology; Vol. 46 (2020); 99-110
Українське музикознавство; Том 46 (2020); 99-110
Українське музикознавство; Том 46 (2020); 99-110
Setting problems. The Ukrainian Irmologions represent to our contemporaries the musical and analytical knowledge common in the medieval Ukraine. In line with study of the Ukrainian musical-theoretical heritage, it is important to understand what prob
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=scientific_p::9d34e57109049b624998d0583c9cef63
http://musicology.com.ua/article/view/234604
http://musicology.com.ua/article/view/234604
Autor:
Solomos, Makis
Publikováno v:
P.O. Editions, 1996
Iannis Xenakis is perhaps the most original figure of contemporary music. Works like Metastaseis, Nuits, Psappha or Thalleïn open a totally new sound universe. His musical and theoretical thought on art and on its relationship to the world shakes al
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::3f096bad712fb8d61c1824b71806c619
https://hal.archives-ouvertes.fr/hal-01202402
https://hal.archives-ouvertes.fr/hal-01202402
Autor:
Makis Solomos
From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred