Zobrazeno 1 - 7
of 7
pro vyhledávání: '"multi-percussion"'
Publikováno v:
Revista Vortex, Vol 9, Iss 3, Pp 1-29 (2021)
Observing different works referring to the percussive repertoire (whether solo, chamber music or even symphonic) we realize that, in many cases, the impossibility of changing mallets in certain musical stretches involving multi-percussion setups comp
Externí odkaz:
https://doaj.org/article/595a41624dc747dabdbb730ac3203cb9
This communication presents an analysis of the work for multiple percussion and electroacoustic sounds entitled Cambucá, para set de percussão múltipla brasileira e tape, by César Traldi. This music piece was composed in response for a commission
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::80d2871b99dab6523388ffbd87868d23
Autor:
Shaheen, Benjamin Arthur
In the late 1980s, there was a significant increase in compositions for violin andpercussion. This expansion of the repertoire is largely attributed to groups like Marimolin, whoregularly commission and premiere works for the medium. However, a thoro
Akademický článek
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Autor:
Moreno Albors, Marc
Publikováno v:
RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
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[EN] One of the most important chapters of my doctoral thesis "MultiTpercussion in Spain from the musical field to the sound art. Historical evolution and its practical interpretiveTperformative application" (nowadays in process by the Universitat Po
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::98fc5e02017c572a057b52c1cde3cbea
http://hdl.handle.net/10251/107102
http://hdl.handle.net/10251/107102
Autor:
Hampton, Walter Ellis
This study examines the compositional devices Eckhard Kopetzki used to create consonance and dissonance throughout his two works for solo percussion, Topf-Tanz and Canned Heat. By manipulating meter, ostinato, syncopation, polyrhythm, note values and
Externí odkaz:
https://digital.library.unt.edu/ark:/67531/metadc700056/
Autor:
Liu, Yi-Jan
This dissertation will focus on the concepts of musical time of two solo multiple-percussion compositions, Thirteen Drums (1985) by Maki Ishii and Rebond A (1987-1989) by Iannis Xenakis. The aesthetic experience of musical works is tied to the percep
Externí odkaz:
https://digital.library.unt.edu/ark:/67531/metadc699961/