Zobrazeno 1 - 10
of 2 011
pro vyhledávání: '"mixed music"'
Autor:
Lee, Kyungyun, Nam, Juhan
Previous approaches in singer identification have used one of monophonic vocal tracks or mixed tracks containing multiple instruments, leaving a semantic gap between these two domains of audio. In this paper, we present a system to learn a joint embe
Externí odkaz:
http://arxiv.org/abs/1906.11139
Akademický článek
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Autor:
Yuqing, Xiao1 (AUTHOR) yangguang1406@sina.com
Publikováno v:
International Journal of Electrical Engineering Education. 2023 Suppl 1, Vol. 60, p3672-3687. 16p.
Autor:
Burloiu, Grigore1 (AUTHOR) gburloiu@gmail.com, Cont, Arshia2 (AUTHOR), Poncelet, Clement2 (AUTHOR)
Publikováno v:
Journal of New Music Research. Mar2017, Vol. 46 Issue 1, p54-73. 20p.
Publikováno v:
Journal of Documentation, 2012, Vol. 68, Issue 6, pp. 749-771.
Externí odkaz:
http://www.emeraldinsight.com/doi/10.1108/00220411211277028
Autor:
Akkermann, Miriam
Publikováno v:
Circuit: Musiques Contemporaines. 2016, Vol. 26 Issue 2, p51-61. 11p.
Autor:
Sears, Brian
It is valuable to identify an integrated method of analysis that focuses on the variousmodes of interaction between the electronic and acoustic elements in mixed music, concentrating on the spaces in which these elements intersect. In mixed music, in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7b98181ee0b1eee03a28d5f45932f004
Autor:
Liao, Lin-Ni (AUTHOR)
Publikováno v:
Contemporary Music Review. Feb-Apr2018, Vol. 37 Issue 1/2, p161-173. 13p.
Autor:
Cossettini, Luca, Orcalli, Angelo
Today, the sources of electronic and mixed music produced in the XXth century by analog means have entered the digital documentary domain. Therefore, the theoretical reflection on the ethics of preservation, restoration and re-issue of audiovisual do
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4b6bff04d9da8792ace8953e56cfd20e
Autor:
Lacroix, Mathieu
This article attempts to see the links between the different elements of a mixed music composition (score, electronics, performance) as different types of interfaces. The article focuses on different aspects of poiesis and aesthesis within the use of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d2d433cb2a914910e1f14a557cdcdd8b