Zobrazeno 1 - 10
of 36
pro vyhledávání: '"miriam de rosa"'
Publikováno v:
NECSUS, Vol 13, Iss 1, Pp 4-12 (2024)
Open science represents a paradigm shift in research, aiming for accessibility, inclusivi- ty, and sustainability. Articles in this special section #Open examine a wide range of projects, practices, and research approaches that embrace these principl
Externí odkaz:
https://doaj.org/article/491986c1915d4e7fb48c9e4a574de1ac
Autor:
Miriam de Rosa, Andrea Mariani
Publikováno v:
NECSUS, Vol 12, Iss 2, Pp 176-195 (2023)
This article moves from small-gauge film technology manufacturing and experimental film practices to develop a twofold exploration of film and camera conceptually interlinked in a mutual cycle of experimentation. Italian filmmaker Ubaldo Magnaghi’s
Externí odkaz:
https://doaj.org/article/0283a8f0e76742789fe29432168d939a
Autor:
Miriam De Rosa
Publikováno v:
NECSUS, Vol 10, Iss 2, Pp 141-144 (2021)
Externí odkaz:
https://doaj.org/article/c915fee50e844489ba711c086e60a7b3
Autor:
Miriam De Rosa
Publikováno v:
NECSUS, Vol 8, Iss 2, Pp 113-128 (2019)
In this text I situate gesture within film and media studies, introducing the centrality of this notion from modernity onwards, explaining the structural connection of its analysis and the mechanisms featuring cinema, and giving an account of the mai
Externí odkaz:
https://doaj.org/article/5be34c333e14474f88d968d64c1a9131
Autor:
Miriam De Rosa
Publikováno v:
Aniki: Revista Portuguesa da Imagem em Movimento, Vol 3, Iss 2, Pp 385-391 (2016)
The text provides an account of Blais & Grandmaison's exhibition La vie abstraite, which took place at Galerie René Blouin in Montréal in spring 2016.
Externí odkaz:
https://doaj.org/article/c099782514ce482bb8e6dfe69ddb50fd
Autor:
Miriam De Rosa
Publikováno v:
Aniki: Revista Portuguesa da Imagem em Movimento, Vol 2, Iss 1, Pp 162-169 (2015)
The review tries to take into account the annual NECS Conference held at Università Cattolica del Sacro Cuore in Milan in June 2014. Providing an overview of the attendance and the activities organized by the UCSC crew in association with the collea
Externí odkaz:
https://doaj.org/article/3ee0984fcae1431d911028a4203f4e70
Autor:
Miriam De Rosa
Publikováno v:
NECSUS, Vol 4, Iss 2, Pp 267-276 (2015)
Externí odkaz:
https://doaj.org/article/45c22cb54a1243acadc0a698f848d669
Autor:
Miriam De Rosa
Publikováno v:
NECSUS, Vol 3, Iss 1, Pp 129-149 (2014)
The article presents an interpretation of the discourse of surveillance after its shift from a discipline model to a control one, adopting the notion of the trace as a key concept. In this perspective Harun Farocki’s latest production works as an a
Externí odkaz:
https://doaj.org/article/1e74f6c735fc4ad6be251a4f9eb95bc2
Autor:
Chuck Tryon, Miriam De Rosa
Publikováno v:
Cinergie, Vol 2, Iss 4, Pp 9-15 (2013)
The article explores crowdsourced practices connected to the spaces of filmic consumption. In order to contextualize them, the concept of crowd is presented under a critic-historical light, with the aim of underscoring the continuity/discontinuity el
Externí odkaz:
https://doaj.org/article/a637c8bee93341cfa24f53d9960edbf0
Autor:
Miriam De Rosa, Vinzenz Hediger
Publikováno v:
Cinéma & Cie, Vol 16, Iss 26-27 (2016)
The text retraces the current debate around the notions of post-cinema and post-media. Employing a dialogic approach, the editors propose a theoretical framework to provide context for the main contributions on these topics published in recent years,
Externí odkaz:
https://doaj.org/article/03ca3af0f983443092ac87a4175f1ef2