Zobrazeno 1 - 10
of 801
pro vyhledávání: '"margaret atwood"'
Autor:
Anett Schäffer
Publikováno v:
Névtani Értesítő, Vol 46 (2024)
Owning a name or being owned? Names and namelessness in Margaret Atwood’s The Handmaid’s Tale and The Testaments Margaret Atwood’s well-known dystopian novel, The Handmaid’s Tale (1985) and its sequel, The Testaments (2019), are both set
Externí odkaz:
https://doaj.org/article/a79e753c525f4de288fb20fa28782d7b
Autor:
Sara Tabuyo-Santaclara
Publikováno v:
Canada and Beyond, Vol 13, Pp 87-104 (2024)
This article explores the representations of girlhood introduced in the recent additions to The Handmaid’s Tale franchise: Bruce Miller’s 2017 Hulu series and Margaret Atwood’s 2019 novel The Testaments. Drawing on affect theory and girlhood st
Externí odkaz:
https://doaj.org/article/832c49d19ce941b195b589310c94561d
Autor:
Igor Maver
Publikováno v:
Acta Neophilologica, Vol 57, Iss 1 (2024)
Margaret Atwood’s provocative book of non-fiction contains many literary references, which help to effectively highlight her points about such a topical matter as debt, debt as a philosophical, politico-economic, religious, and historical issue ove
Externí odkaz:
https://doaj.org/article/cf4396aaca6d4b35807aebfbe96bf00f
Autor:
Lorenz Hindrichsen
Publikováno v:
Polish Journal of English Studies, Vol 9, Iss 2, Pp 108-127 (2023)
Modern poetry frequently challenges conventional narratives of ageing as uneventful and conformist through temporalities that undercut familiar archetypes, reject expected performativities, and upend canonical chronotopes, thereby questioning reducti
Externí odkaz:
https://doaj.org/article/32fe4c7d77b8401faf85f57f8b9c362c
Autor:
ِAshraf Ibrahim Zidan
Publikováno v:
Maǧallaẗ Kulliyyaẗ Al-ādāb Ǧāmiʿaẗ Būrsaʿīd, Vol 26, Iss 26, Pp 1-44 (2023)
This paper, titled "Binary Oppositions in Margaret Atwood's The Edible Woman," comprises two integral sections: a theoretical framework and an applied study. The theoretical framework delves into the concept of binary oppositions through a structural
Externí odkaz:
https://doaj.org/article/499d5f05fe53471b81c8edc91dd50b5b
Autor:
Driss Hager Ben
Publikováno v:
American, British and Canadian Studies Journal, Vol 40, Iss 1, Pp 104-125 (2023)
This article proposes to examine the interplay between rewriting and the text/ile metaphor in Margaret Atwood’s The Testaments. The author’s predilection for intertextuality is inextricably linked to her conception of the text as a fabric and the
Externí odkaz:
https://doaj.org/article/2f45241e354d4c73b9af7467c7aef925
Autor:
DeFalco, Amelia, author
Publikováno v:
Curious Kin in Fictions of Posthuman Care, 2023.
Externí odkaz:
https://doi.org/10.1093/oso/9780192886125.003.0004
Autor:
Buran, Sümeyra, Akşehır, Mahinur, Ağir, Barış, Köroğlu, Neslihan
Externí odkaz:
https://www.ceeol.com//search/book-detail?id=1058156
Autor:
Ela İpek Gündüz
Publikováno v:
Nalans, Vol 10, Iss 20, Pp 257-269 (2022)
Margaret Atwood’s recent dystopian novel The Testaments (2019) revisits The Handmaid’s Tale by depicturing Gilead’s nightmarish world of the patriarchal order, which is established especially against women’s potency. The sequel reminds the co
Externí odkaz:
https://doaj.org/article/85a7488c7b6048dab75b1f0b3bd6bb38
Autor:
Younes Poorghorban
Publikováno v:
IAFOR Journal of Literature & Librarianship, Vol 11, Iss 1, Pp 35-47 (2022)
Atwood’s The Handmaid’s Tale is a well-accomplished novel that won countless awards and became a part of the canon soon after publication in 1985. This dystopian fiction circles around Offred, a handmaid living under a totalitarian regime. The su
Externí odkaz:
https://doaj.org/article/8e8c4ec8752e4520b261e5b70cd934bd