Zobrazeno 1 - 10
of 1 917
pro vyhledávání: '"lcsh:History of Great Britain"'
Autor:
María Losada Friend
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 224-237 (2021)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::32a6b2aeab535143e98b76af93d80081
https://doi.org/10.24162/ei2021-10084
https://doi.org/10.24162/ei2021-10084
Autor:
Lluïsa Schlesier Corrales
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 165-182 (2021)
In Smile (2017), Roddy Doyle represents a society that is still heavily influenced by the moral authority of the Catholic Church and that, therefore, avoids any open discussion about sexuality in any of its manifestations. In the midst of this climat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c6ba666e79c630d7020ba49fee875e28
https://doi.org/10.24162/ei2021-10076
https://doi.org/10.24162/ei2021-10076
Autor:
M. Reza Ghorbanian
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 28-41 (2021)
Seamus Heaney’s “Station Island” occupies an important place in Heaney’s work as it is an allegory of self-creation and subjectivation. It introduces a subject whose attempts at discovering and creating the self and identity are challenged by
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::53070ec78746a77aefe8428d61f21401
https://doi.org/10.24162/ei2021-9968
https://doi.org/10.24162/ei2021-9968
Autor:
James Costello O'Reilly
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 54-67 (2021)
Paul Muldoon’s lectures as Professor of Poetry at Oxford demonstrate a sustained interest in how poems might be said to “end”. On several occasions, he returns to Giorgio Agamben’s short essay “The End of the Poem” and its argument that a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::bfb0fd1e358d8757a17a5aed93be023f
https://doi.org/10.24162/ei2021-9978
https://doi.org/10.24162/ei2021-9978
Autor:
Graham Price
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 13-27 (2021)
This essay analyses Samuel Beckett’s Trilogy and Waiting for Godot through the enabling theoretical lens of Martin Heidegger’s Being and Time. Special attention shall be paid to key Heideggerian concepts: idle talk, authenticity, and inauthentici
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8f08ec5104cca8153859effcbef00ca2
https://doi.org/10.24162/ei2021-9972
https://doi.org/10.24162/ei2021-9972
Autor:
Scott Eric Hamilton
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 139-152 (2021)
This paper will propose that Beckett’s affinity for crime and mystery fiction also contributes to Murphy. The novel will be examined on the proposed hypothesis that Murphy’s death, so-called, is conspicuously left ambiguous to a certain degree, r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8896c32a39e2010e98cc96cd7686315e
https://doi.org/10.24162/ei2021-9987
https://doi.org/10.24162/ei2021-9987
Autor:
Faye Mercier
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 79-94 (2021)
This paper argues that through an engagement with cross-media hybridity, Irish comedy duo The Rubberbandits have established a dynamic cross-media forum that aims to restore the Irish public’s capacity for critical social and political engagement.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e61b64025b9461015d8431a6f334ebd3
https://doi.org/10.24162/ei2021-9984
https://doi.org/10.24162/ei2021-9984
Autor:
Ciara Chambers
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 284-301 (2021)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a87917d1361abeec166b4fcd5b794cc7
https://www.estudiosirlandeses.org/wp-content/uploads/2021/03/DEF-Irish-Film-and-Media-Studies-publications.pdf
https://www.estudiosirlandeses.org/wp-content/uploads/2021/03/DEF-Irish-Film-and-Media-Studies-publications.pdf
Autor:
Aida Rosende Pérez
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 68-78 (2021)
This article concentrates on the analysis of the space of the refugee camp in Emer Martin’s third novel Baby Zero (2007), critically appraising this space as a fundamental site of transnational im/mobility simultaneously “homing” those who have
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a51278becf785d2fe63732a63fba394a
https://www.estudiosirlandeses.org/wp-content/uploads/2021/03/DEF-Aida-Rosende-1.pdf
https://www.estudiosirlandeses.org/wp-content/uploads/2021/03/DEF-Aida-Rosende-1.pdf
Autor:
María Gaviña-Costero
Publikováno v:
Estudios Irlandeses, Vol 16, Iss 16, Pp 110-124 (2021)
Gaviña Costero, María 2021 Brian Friel in Spain: an off-centre love story Estudios irlandeses 16 110 124
RODERIC. Repositorio Institucional de la Universitat de Valéncia
instname
RODERIC: Repositorio Institucional de la Universitat de Valéncia
Gaviña Costero, María 2021 Brian Friel in Spain: an off-centre love story Estudios irlandeses 16 110 124
RODERIC. Repositorio Institucional de la Universitat de Valéncia
instname
RODERIC: Repositorio Institucional de la Universitat de Valéncia
Spanish theatres are not prolific in the staging of Irish playwrights. However, the Northern Irish writer Brian Friel (1929-2015) has been a curious exception, his plays having been performed in different cities in Spain since William Layton produced
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c5225510736cba40f85140bbc3aa9067