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Towards a 'Treatise' of 7-Limit Harmony: Transformation and Prolongation in Extended Just Intonation
Autor:
Pohlit, Stefan
Limits erleichtern die Klassifizierung harmonischer Strukturen als Netzwerke arithmetischer Beziehungen innerhalb der Grenzen bestimmter Primzahl-Faktoren. Die Theorie der Limits in mikrotonaler Musik geht auf Harry Partch zurück. Ben Johnston entwi
Externí odkaz:
https://slub.qucosa.de/id/qucosa%3A93953
https://slub.qucosa.de/api/qucosa%3A93953/attachment/ATT-0/
https://slub.qucosa.de/api/qucosa%3A93953/attachment/ATT-0/
Autor:
WITHINGTON, ANDREW
Publikováno v:
The Choral Journal, 2020 Feb 01. 60(7), 26-41.
Externí odkaz:
https://www.jstor.org/stable/26870192
Autor:
Daniel Muzzulini
Publikováno v:
Empirical Musicology Review, Vol 15, Iss 3-4, Pp 223-248 (2021)
In 1665 Isaac Newton wrote a notebook in which he collected materials for a musical treatise which was never completed. He investigated ways of approximately representing just intonation scales by dividing the octave into many equally sized intervals
Externí odkaz:
https://doaj.org/article/7c673aa412454774af95b3021427879e
Publikováno v:
Computer Music Journal, 2018 Oct 01. 42(3), 47-62.
Externí odkaz:
https://www.jstor.org/stable/26777136
Autor:
Pankovski, Toso1 (AUTHOR) Toso.Pankovski@BrainExperiments.com, Pankovska, Ana1 (AUTHOR)
Publikováno v:
Scientific Reports. 5/25/2022, Vol. 12 Issue 1, p1-13. 13p.
Autor:
MUZZULINI, DANIEL1
Publikováno v:
Empirical Musicology Review. 2020, Vol. 15 Issue 3/4, p223-248. 26p.
Autor:
Toso Pankovski, Ana Pankovska
Publikováno v:
Scientific Reports, Vol 12, Iss 1, Pp 1-13 (2022)
Abstract This study continues investigating the consonance-pattern emerging neural network model introduced in our previous publication, specifically to test if it will reproduce the results using 100-fold finer precision of 1/100th of a semitone (1
Externí odkaz:
https://doaj.org/article/10773016e11a490aa4ddf9553183763b
We investigate a dynamically adapting tuning scheme for microtonal tuning of musical instruments, allowing the performer to play music in just intonation in any key. Unlike other methods, which are based on a procedural analysis of the chordal struct
Externí odkaz:
http://arxiv.org/abs/1706.04338