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pro vyhledávání: '"jonas mekas"'
Autor:
Muriel Tinel-Temple
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 26, Pp 221-224 (2024)
Jonas Mekas, Shiver of Memory by Peter Delpeut is not a conventional academic book, but an investigation into Jonas Mekas’s life and work triggered by the publication, in summer 2018, of an article titled “I Was There” written by the American h
Externí odkaz:
https://doaj.org/article/25e5506edffd4fabb59f7be57ba81943
Autor:
Il Sun Moon
Publikováno v:
Body, Space & Technology Journal, Vol 23, Iss 1 (2024)
Diaristic practice in various modes of expression permeates the online environment with textual, visual, and aural documents of memories and life, including social media and writing platforms. Inspired by Jonas Mekas’s performative and reflective r
Externí odkaz:
https://doaj.org/article/3d353debc60d45aba88a1b05ed4adb87
Autor:
Paulina Haratyk
Publikováno v:
Kwartalnik Filmowy, Iss 122 (2023)
Książka Andrzeja Pitrusa Przebłyski piękna. Spotkania z Jonasem Mekasem (2022) to pierwsza w języku polskim monografia dorobku artysty. Stanowi rodzaj przewodnika po twórczości, mającego zachęcić do „zanurzenia się” w filmy twórcy i o
Externí odkaz:
https://doaj.org/article/cbdf22d5dd4d4fb58843b5848fe094f4
Autor:
Tiago Ramos
Publikováno v:
2i Revista de Estudos de Identidade e Intermedialidade, Vol 4, Iss 6 (2022)
A escrita autobiográfica exige que o escritor se identifique com o narrador e a personagem principal gravadas no papel. O sujeito que se auto-representa identifica-se com uma alteridade de natureza linguística de maneira a poder reflectir acerca de
Externí odkaz:
https://doaj.org/article/d0d433d8c59c4cc1bc0007bf8399d30f
Autor:
KRÁLIKOVÁ HASHIMOTO, Lena
Publikováno v:
Slovenské divadlo / Slovak Theatre. 69(02):144-156
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1044670
Autor:
Ieva Jasinskaite
Publikováno v:
Film-Philosophy, Vol 24, Iss 2, Pp 162-184 (2020)
In this article, I argue that by considering Ludwig Wittgenstein's methods, we can better understand and appreciate Jonas Mekas's diary films. Based on Wittgenstein's notion of “aesthetic puzzlement”, I identify the main confusions encountered by
Externí odkaz:
https://doaj.org/article/45edf7bf81634596bdd234b59debaa92
Autor:
Rafael Valles
Publikováno v:
Intexto, Vol 0, Iss 48, Pp 176-193 (2020)
Este artigo pretende analisar a questão do amateur no contexto do cinema de vanguarda norte-americano e de que forma as obras teóricas dos realizadores Stan Brakhage, Maya Deren e Jonas Mekas contribuíram para elaborar uma concepção poética sob
Externí odkaz:
https://doaj.org/article/cbdb472176b04680a084f67cb251fb87
Akademický článek
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Autor:
Angelo Grossi
Publikováno v:
Iperstoria, Vol 0, Iss 17 (2021)
In this essay I will focus on Jonas Mekas’s ‘diary films’ such as Walden (1969), Reminiscences of a Journey to Lithuania (1972), and Lost Lost Lost (1975), interpreting them as a trilogy that constitutes one of the most seminal expressions of L
Externí odkaz:
https://doaj.org/article/c6f88766b97044ecba378eeb3d208957
Autor:
Angelo Maria Grossi
Publikováno v:
Iperstoria, Vol 0, Iss 16 (2020)
In 2007 (only one year after the launch of YouTube) Lithuanian-American avant-garde filmmaker Jonas Mekas embarked on his first transmedial creation between cinema and the Internet, entitled 365 Day Project. Radicalizing the performative dimension wh
Externí odkaz:
https://doaj.org/article/d3955a940f7147e688130fe61d6261b7