THE IMAGE OF A MAN OF CATASTROPHE IN JULIAN BARNES’S NOVEL 'THE SENSE OF AN ENDING'

Autor: Olena S. Annenkova.

Publikováno v: Alfred Nobel University Journal of Philology, Vol 1, Iss 25, Pp 50-60 (2023)

The article analyzes “The Sense of an Ending” by the English writer J. Barnes by using the novel’s key image of protagonist Tony Webster and the associated philosophical complex of problems of modern man’s existence in the world. This paper

Externí odkaz: https://doaj.org/article/b94be22dd3cc45e298785d29d4c4ae39

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« Quelques plumes de perroquet » : l’épreuve de la lecture et de la sur-écriture, de Flaubert’s Parrot à « Knowing French » de Julian Barnes

Autor: Pascale Tollance

Publikováno v: Études Britanniques Contemporaines, Vol 38, Pp 69-82 (2010)

‘Knowing French’ presents us with a one-way correspondence. The eleven letters which make up the story are addressed to an author called Julian Barnes and are signed by a reader who has just finished Flaubert’s Parrot and decides to share her i

Externí odkaz: https://doaj.org/article/67038c6a643247f4853bba524c980185

ПРАГМАТИЧЕСКИЙ ПОТЕНЦИАЛ ЗАГЛАВИЯ АНГЛОЯЗЫЧНОГО ХУДОЖЕСТВЕННОГО ПРОИЗВЕДЕНИЯ

Autor: Isaeva, Anastasia, Akimtseva, Yulia

This article attempts to determine the pragmatic potential of the titles of the novels of contemporary English writer Julian Barnes. A title has a key position in the main body of the work of fiction. It does not only convey in a concentrated form th

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::751d132968bb5b7ae9551db407f49ea5

'The Great Terror' in the Contemporary British Novel

Autor: Sidorova, Olga Grigorievna

Publikováno v: Izvestia. Ural Federal University Journal. Series 2. Humanities and Arts; Том 19, № 4(169); 161-175
Известия Уральского федерального университета. Серия 2. Гуманитарные науки; Том 19, № 4(169); 161-175

The mythological image of Russia in British fiction has been historically shaped and recurrently repeated for many centuries. Between the late 20th and the early 21st centuries the image of Russia and the Soviet Union was widely used by the authors o

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=urfujournals::492624112238a79305a46273475b26da
https://journals.urfu.ru/index.php/Izvestia2/article/view/2798