Zobrazeno 1 - 10
of 28
pro vyhledávání: '"fotografia documentaria"'
Autor:
De Paula, Jeziel, 1956
Publikováno v:
Biblioteca Digital de Teses e Dissertações da Universidade Estadual de Campinas (UNICAMP)
Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
Orientador: Edgar Salvadori De Decca Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas Resumo: o objetivo básico deste traballho foi investir no potencial dramático e narrativo de alguns aspectos singul
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6eacc0cd2ecf0513a42bde1f6ad0203c
https://doi.org/10.47749/t/unicamp.2001.221793
https://doi.org/10.47749/t/unicamp.2001.221793
Autor:
Joschke, Christian
Publikováno v:
Perspective-la revue de l'INHA : actualités de la recherche en histoire de l'art
Perspective-la revue de l'INHA : actualités de la recherche en histoire de l'art, Institut national d'histoire de l'art / A. Colin, 2017, pp.113--128. ⟨10.4000/perspective.7197⟩
Perspective-la revue de l'INHA : actualités de la recherche en histoire de l'art, Institut national d'histoire de l'art / A. Colin, 2017, pp.113--128. ⟨10.4000/perspective.7197⟩
National audience; Blieb die Geschichte der Sozial- und Dokumentarfotografie der Zwischenkriegsjahre auch lange Zeit auf eine Reihe monographischer Auseinandersetzungen beschränkt, die den großen Namen der humanistischen Fotografie ihren Tribut zol
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______212::463cecbb36886054d82ca355ae77a962
https://hal.archives-ouvertes.fr/hal-01650489
https://hal.archives-ouvertes.fr/hal-01650489
Autor:
Alves, Fabiana Aline.
Orientador: Áureo Busetto
Banca: Paulo César Boni
Banca: Célio José Losnak
Banca: Carlos Alberto Sampaio Barbosa
Banca: Milton Carlos Costa
As amarras realistas permeiam o ato fotográfico. Contudo, compreendê-lo como al
Banca: Paulo César Boni
Banca: Célio José Losnak
Banca: Carlos Alberto Sampaio Barbosa
Banca: Milton Carlos Costa
As amarras realistas permeiam o ato fotográfico. Contudo, compreendê-lo como al
Externí odkaz:
http://hdl.handle.net/11449/151904
Autor:
Frongia, Antonello
Current scholarship sees the 1980s as a crucial decade for the emergence of a new strain of Italian photography focused on "man-altered", "banal", and "everyday" landscapes, an approach purportedly inspired by certain aspects of Neorealism and intern
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3668::baa2d009ec84f650ecc9e7219a259cbf
https://hdl.handle.net/11590/308169
https://hdl.handle.net/11590/308169
Publikováno v:
AlephRepositório Institucional da UNESPUniversidade Estadual PaulistaUNESP.
Made available in DSpace on 2016-02-05T18:30:00Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-09-10. Added 1 bitstream(s) on 2016-02-05T18:33:09Z : No. of bitstreams: 1 000857819.pdf: 16318456 bytes, checksum: 2dc8ce3154f605cf8ad5c5e4ec16500
Publikováno v:
AlephRepositório Institucional da UNESPUniversidade Estadual PaulistaUNESP.
Made available in DSpace on 2016-01-13T13:27:17Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-06-29. Added 1 bitstream(s) on 2016-01-13T13:32:35Z : No. of bitstreams: 1 000856099.pdf: 23903176 bytes, checksum: 270cac79e67507891207467cad1d754