Zobrazeno 1 - 10
of 27
pro vyhledávání: '"film crew"'
Autor:
Bérénice Bonhomme
Publikováno v:
Images du Travail, Travail des Images, Vol 14 (2022)
The fabrication of animated films, and in particular feature films, often involves a segmented organization of work that determines different distinct stages and involves different specialties. To reflect on this, I focus on the atelier drawings or
Externí odkaz:
https://doaj.org/article/724cb2e7335240d280ae2af74dfb6a00
Autor:
Mititelu, Diana
Publikováno v:
Concept. 22(1):292-299
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=983768
Autor:
Nedjma Moussaoui
Publikováno v:
Mise au Point, Vol 13 (2020)
The goal of this contribution is to portray a number of success movies, that I propose to label “princes melodramas”, as the possible signs of the birth of a cinema industry at the same time French and European. The 1936 triumph of Mayerling by A
Externí odkaz:
https://doaj.org/article/4a895e04e35949c4aaad3b67ba7876ee
Autor:
Bérénice Bonhomme
Publikováno v:
Mise au Point, Vol 13 (2020)
This article proposes to raise the issue of the circulation of creative collaborators from the point of view of several technicians who work in several European countries, while at the same time developing a large part of their activity on French pro
Externí odkaz:
https://doaj.org/article/b009de4005e2473cb4aa0e1470e18fcf
Autor:
Bonhomme, Bérénice
Publikováno v:
Images du travail, travail des images.
La fabrique du cinéma d’animation, et en particulier des longs métrages, engage souvent une organisation du travail segmentée déterminant différentes étapes bien distinctes et faisant intervenir plusieurs spécialités. Souhaitant y réfléch
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c1afb176da04f6285b1637ac65eef6f8
https://doi.org/10.4000/itti.3652
https://doi.org/10.4000/itti.3652
Autor:
Lipowski, Wojciech
Publikováno v:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication. 7(13-14):308-313
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=532444
Publikováno v:
Вісник КНУКіМ. Серія «Мистецтвознавство»; № 45 (2021); 59-65
Bulletin of KNUKiM. Series in Arts; No. 45 (2021); 59-65
Вестник КНУКиИ. Серия «Искусствоведение»; № 45 (2021); 59-65
Bulletin of KNUKiM. Series in Arts; No. 45 (2021); 59-65
Вестник КНУКиИ. Серия «Искусствоведение»; № 45 (2021); 59-65
The purpose of the article is to identify the main audiovisual means in the process of production of Darryl Zanuck’s docudrama The Longest Day. The role of combat films in culture has always been special, these films have shaped the consciousness o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=scientific_p::80ea77bc253f7e6be9a37cce89c9a864
http://arts-series-knukim.pp.ua/article/view/247344
http://arts-series-knukim.pp.ua/article/view/247344
The purpose of the article is to identify the main audiovisual means in the process of production of Darryl Zanuck’s docudrama The Longest Day. The role of combat films in culture has always been special, these films have shaped the consciousness o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2659::1c9cd06cf9d7310a9f3519ef21eb0e99
https://zenodo.org/record/7389876
https://zenodo.org/record/7389876
Introduction: "The book is designed as a series of introductory essays to familiarize students with carefully selected topics. The publication starts with the language of film and television production. Next, it gives a broad perspective on the speci
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2999::fb5a3815d7020f0b58b8641b739c545d