Zobrazeno 1 - 10
of 33
pro vyhledávání: '"feminist film studies"'
Autor:
Molloy, Missy, author
Publikováno v:
Screening the Posthuman, 2023.
Externí odkaz:
https://doi.org/10.1093/oso/9780197538562.003.0004
Autor:
Tulloch, John, author, Middleweek, Belinda, author
Externí odkaz:
https://doi.org/10.1093/oso/9780190244606.001.0001
Autor:
Adelheid Heftberger, Ana Grgic
Publikováno v:
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, Iss 7 (2019)
The editorial article to the themed issue 7 Women Cutting Movies: Editors from East and Central Europe. Cover image from Jane Austen's Manuscript The Watsons (https://janeausten.ac.uk), cited in the article of Szilvia Ruszev Rhythmic Trajectories -
Externí odkaz:
https://doaj.org/article/64703dac3272478f9365265326c9be52
Autor:
Pērkone-Redoviča, Inga
Publikováno v:
Culture Crossroads. 2(1):213-223
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=771152
Autor:
Dyer, Briyana
This thesis examines how contemporary femme fatales operate under patriarchal notions and expectations of gender and femininity to get away with their crimes. Whereas classic femme fatales were relegated to a tragic fate—either through death, incar
Externí odkaz:
https://hdl.handle.net/2144/44799
Autor:
Adelheid Heftberger, Ana Grgic
Publikováno v:
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, Vol 0, Iss 7 (2019)
Vorwort zur Ausgabe 7 Women Cutting Movies: Editors from East and Central Europe. Cover image from Jane Austen's Manuscript The Watsons (https://janeausten.ac.uk), cited in the article of Szilvia Ruszev Rhythmic Trajectories – Visualizing Cinematic
Autor:
Pearlman, Karen, Heftberger, Adelheid
The editorial article to the themed issue Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s (Picture: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3427c93526a1d42745ac2f967295e433
Autor:
Karen Pearlman, Adelheid Heftberger
Publikováno v:
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, Vol 0, Iss 6 (2018)
Vorwort zur Ausgabe 6: Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s. (Bild: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)
This article investigates the cultural mediatization of the relationship between gender and war by looking at the representation and agency of female presence in one of the most popular sagas in vi...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::39f0cf8fb2e6b9a61856a51458dc9fc8
http://hdl.handle.net/11573/1423029
http://hdl.handle.net/11573/1423029
Autor:
Nasehi, Elnaz
Feminist contribution to the studies of film is rooted in the feminist concerns with the cinematic reproduction of gendered ideologies. Acknowledging the specificity of Iranian society and Iranian cinema, this research endeavors to introduce and theo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2789::b1c1ecacdd46550a1976dfe4332be356
https://hdl.handle.net/11129/5306
https://hdl.handle.net/11129/5306