Zobrazeno 1 - 10
of 406
pro vyhledávání: '"embodied gaze"'
Autor:
Bois, Mathilde, Fazakas, István
Publikováno v:
Kunstiteaduslikke Uurimusi / Studies on Art and Architecture. 29(03+04):71-90
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=925692
Autor:
Gyenge, Zsolt
Publikováno v:
Acta Universitatis Sapientiae, Film and Media Studies. (13):127-141
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=482184
Akademický článek
Tento výsledek nelze pro nepřihlášené uživatele zobrazit.
K zobrazení výsledku je třeba se přihlásit.
K zobrazení výsledku je třeba se přihlásit.
Autor:
Coulter-Smith, Graham1 e.coulter-smith@staffs.ac.uk, Coulter-Smith, Elizabeth1
Publikováno v:
Technoetic Arts: A Journal of Speculative Research. 2006, Vol. 4 Issue 3, p169-182. 14p. 9 Black and White Photographs.
Autor:
Michael Garbutt, Josephine Touma, Scott East, Brooke Carson-Ewart, Branka Spehar, Vicente Estrada-Gonzalez
Publikováno v:
Visitor Studies. 23:82-100
Recent advances in Mobile Eye Tracking (MET) technology facilitate the investigation of visitors’ embodied visual behaviors as they move through exhibition spaces. Our MET-based pilot study of visi...
Autor:
Zsolt Gyenge
Publikováno v:
Acta Universitatis Sapientiae: Film and Media Studies, Vol 13, Iss 1, Pp 127-141 (2016)
It is widely accepted that Abbas Kiarostami’s cinema revolves around the representation of the gaze. Many critics argue that he should be considered a late modernist who repeats the self-reflexive gestures of modernist European cinema decades after
Autor:
Federico Selvini
Publikováno v:
NECSUS, Vol 12, Iss 1, Pp 188-211 (2023)
In the contemporary media landscape, the visual component of armed conflicts tends to be articulated in two distinct imaginaries. On one hand, we observe a ‘view from above’ generated by aircrafts, UAVs, and satellites; on the other, we encounter
Externí odkaz:
https://doaj.org/article/3dc2a0d94aa44829952e9a5ae5979c4a
Publikováno v:
Technoetic Arts. 4:169-182
Autor:
Selvini, Federico
In the contemporary media landscape, the visual component of armed conflicts tends to be articulated in two distinct imaginaries. On one hand, we observe a ‘view from above’ generated by aircrafts, UAVs, and satellites; on the other, we encounter
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3884554fb1434d99ad7d54a91adbe03e
https://mediarep.org/handle/doc/20946
https://mediarep.org/handle/doc/20946
Autor:
鈴木南音
Publikováno v:
Annual Review of Sociology / Nenpo Shakaigaky Ronshu; 2023, Issue 36, p52-63, 12p