Zobrazeno 1 - 10
of 35
pro vyhledávání: '"elio ugenti"'
Autor:
Elio Ugenti
Publikováno v:
Cinergie, Iss 24, Pp 169-171 (2023)
Externí odkaz:
https://doaj.org/article/e8f7d18a210147868b5293f6fa163f69
Autor:
Denicolai, Lorenzo, Elio, Ugenti
The aim of this presentation is to discuss and analyse some specific audio-visual practices in the context of the contemporary media ecosystem. In the first part of our speech, we intend to proceed with a mapping of contemporary media practices, focu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::95de2ad56606fec568cb0a67e61b6f2d
https://hdl.handle.net/11590/426385
https://hdl.handle.net/11590/426385
Autor:
elio ugenti
Muovendo da una ricognizione teorica sulle forme dell’operatività e della performatività mediali nello scenario contemporaneo, il presente articolo interpreta l’uso quotidiano dei media digitali interattivi in termini marcatamente ecologici, ri
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3668::57df69200e0a69ac698ffe8d95986abd
https://hdl.handle.net/11590/443387
https://hdl.handle.net/11590/443387
Between Visibility and Media Performativity. The Role of Interface and Gesturality in Desktop Cinema
Autor:
Elio Ugenti
Publikováno v:
Cinéma&Cie; V. 21 N. 36/37 (2021): Glocal Detectives. Cultural Diversity In European Tv Crime Dramas; 177-192
Cinéma & Cie. Film and Media Studies Journal; Vol. 21 No. 36/37 (2021): Glocal Detectives. Cultural Diversity In European Tv Crime Dramas; 177-192
Cinéma & Cie. Film and Media Studies Journal; Vol. 21 No. 36/37 (2021): Glocal Detectives. Cultural Diversity In European Tv Crime Dramas; 177-192
This article aims to investigate desktop films as ���meta-media��� audiovisual forms and to analyse their aesthetics and their meta-reflective potential in the broader framework of contemporary visual and media culture. Screens and interf
Autor:
Elio Ugenti
Publikováno v:
The Palgrave Handbook of Image Studies ISBN: 9783030718299
For some time now, image has no longer been a predominantly visual issue. What I mean by this is that, in today’s society, an image no longer merely “behaves” like a visual object put before a spectator, or rather, an observer (Crary 1990): ins
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2cb39ed924cb1a04af1a7e466fe26012
https://hdl.handle.net/11590/399544
https://hdl.handle.net/11590/399544