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pro vyhledávání: '"documentalità"'
Akademický článek
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Autor:
Guglielmo Feis
Publikováno v:
Enthymema, Vol 0, Iss 1, Pp 275-288 (2010)
Review of Ferraris, Maurizio. Documentalità. Perché è necessario lasciar tracce, Bari: Laterza, 2009. Print.
Externí odkaz:
https://doaj.org/article/5d217329f1c441b3ab930f8b9d4b1c97
Autor:
Matteo V. d'Alfonso
With reference to Schelling’s Philosophy of Mythology (PoM) in my paper, I will address three points, namely: To what extent Schelling’s PoM provides us with arguments in favor of 1. Realism, 2. Emergentism and 3. Documentality. Accordingly, in t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3bbfb0f235e684f6f00acc946dd20fe2
https://hdl.handle.net/11392/2430200
https://hdl.handle.net/11392/2430200
Autor:
Luca Angelone
Publikováno v:
Rivista di Estetica, Vol 60, Pp 13-20 (2015)
This article deals with the question of the persistence of artefacts and offers an alternative solution to the conventionalist ones. Although it is recognized that the criteria for the persistence of artefacts are different from those used for entiti
Externí odkaz:
https://doaj.org/article/c304321685a6492dab31055f34c6239a
Autor:
Ivan Mosca
Publikováno v:
Rivista di Estetica, Vol 60, Pp 99-106 (2015)
What happens if philosophers of the past and the present, fictional characters and science-fiction novelists start talking about some of the fundamental themes of the social world? The discussion of the nature of documental reality originates a kalei
Externí odkaz:
https://doaj.org/article/dc8effbaf7e34d9ca42b6e142f51ae1b
Autor:
Paolo D’Angelo
Publikováno v:
Rivista di Estetica, Vol 50, Pp 245-253 (2012)
This article puts forward some observations about the literary form of Documentalità. The genre to which Documentalità belongs is undoubtedly the philosophical treatise. This is a novelty, because the philosophical treatise is not a popular literar
Externí odkaz:
https://doaj.org/article/a2624b62dd794479b3101721c8a92115
Autor:
Francesco Berto
Publikováno v:
Rivista di Estetica, Vol 50, Pp 29-35 (2012)
I take into account Ferraris’ attempt at reversing the traditional order of explanation going from thought to language and writing, as exposed in Documentalità. The reversal is supposed to provide a new ontology of social objects that dispenses wi
Externí odkaz:
https://doaj.org/article/1225c4a309a04382b1d434fabfd87c86
Autor:
Luca Illetterati
Publikováno v:
Rivista di Estetica, Vol 50, Pp 297-307 (2012)
Besides some issues connected to the philosophical style of Documentalità by Maurizio Ferraris (2009), the paper discusses two points of Ferraris’ approach: 1) the relation between ontology and epistemology and 2) the relation between letter and s
Externí odkaz:
https://doaj.org/article/96a881fe23aa4b849ce149fa2006fce5
Autor:
Francesco Vitale
Publikováno v:
Rivista di Estetica, Vol 50, Pp 365-376 (2012)
The author proposes to read Documentalità constantly referring to Jacques Derrida’s work, which is one of its main sources. This comparative reading develops through a double move: on the one hand, it attempts to explain Derrida’s famous sentenc
Externí odkaz:
https://doaj.org/article/40c4e34ea0f445408b3a21bf08aef977
Autor:
Claudio La Rocca
Publikováno v:
Rivista di Estetica, Vol 50, Pp 319-329 (2012)
The aim of the paper is to discuss the basic concepts developed in Ferraris’ book Documentalità, in particular the first two items of the conceptual triad trace-registration-inscription. The alleged priority of icnology on semiotics can hardly be
Externí odkaz:
https://doaj.org/article/54bd67ac6f5e480fa664808d61d76064