Zobrazeno 1 - 10
of 15
pro vyhledávání: '"director's theatre"'
Autor:
Adorjáni, Panna
Publikováno v:
Theatron színháztudományi periodika / Theatron Journal in Performance Studies. 17(1):132-146
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1128280
Autor:
Stojanoska, Ana
Publikováno v:
Ars Academica. (7):124-131
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=816516
Autor:
Stojanoska, Ana
Publikováno v:
Ars Academica. (7):34-41
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=816488
Autor:
Trinkūnaitė, Šarūnė
Publikováno v:
Menotyra / Studies in Art. 18(2):93-102
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=456922
Autor:
Ćurković, Ivan
Publikováno v:
Radovi Zavoda za znanstveni rad Varaždin / Papers of the Institute for Scientific Research Work in Varaždin. (21):161-187
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=172939
Autor:
Lilia M. Nemchenko
Publikováno v:
Changing Societies & Personalities, Vol 4, Iss 4, Pp 457-475 (2020)
Received 4 June 2020. Accepted 20 December 2020. Published online 29 December 2020. Thanks to its inherent nature, theatre has been better able than other artforms to resist the challenges presented by information and digital culture, which are based
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4e6007d23bbd90acf79f21a4e1dd2c06
https://changing-sp.com/ojs/index.php/csp/article/view/147
https://changing-sp.com/ojs/index.php/csp/article/view/147
Autor:
Voronova, Tetiana
Publikováno v:
Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art; Том 3, № 2 (2020); 146-155
Вестник Киевского национального университета культуры и искусств. Серия: Музыкальное искусство; Том 3, № 2 (2020); 146-155
Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво; Том 3, № 2 (2020); 146-155
Вестник Киевского национального университета культуры и искусств. Серия: Музыкальное искусство; Том 3, № 2 (2020); 146-155
Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво; Том 3, № 2 (2020); 146-155
The question of the expediency of using the original language in opera as the only correct version of performance is debatable and has now acquired the character of an intersectoral and creative debate. The question becomes relevant when the opera is
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=scientific_p::2e2102f3799462b25dabb02897b63bd7
http://musical-art.knukim.edu.ua/article/view/219160
http://musical-art.knukim.edu.ua/article/view/219160
Autor:
Voronova Tetiana
The question of the expediency of using the original language in opera as the only correct version of performance is debatable and has now acquired the character of an intersectoral and creative debate. The question becomes relevant when the opera is
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2659::1d258b3e7acb8c1687dbeacb83f4b913
https://zenodo.org/record/4719404
https://zenodo.org/record/4719404
Autor:
Makarova, Aya, Sokolskaya, Anna
While advanced professional skills and supremely coordinarted performances are crucial for the demanding art of opera, immersive theatre practices seem less than welcome on the operatic stage. This paper analyzes the successful transformation of oper
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2cd4a00832101b9ef0be438a076e7f58
Akademický článek
Tento výsledek nelze pro nepřihlášené uživatele zobrazit.
K zobrazení výsledku je třeba se přihlásit.
K zobrazení výsledku je třeba se přihlásit.