Zobrazeno 1 - 10
of 28
pro vyhledávání: '"d'Aubignac"'
Autor:
Mayquel Eleuthério
Publikováno v:
Clio: Revista de Pesquisa Histórica, Vol 41, Iss 2 (2024)
Este trabalho pretende analisar os pressupostos teóricos levantados por François Hédélin d’Aubignac (1604–1676) em La Pratique du Théâtre (1657) acerca da composição dramática e, especificamente, do drama histórico. Pretende-se analisar
Externí odkaz:
https://doaj.org/article/a1d1091e47804bce9494e0395263502b
Autor:
Šuman, Záviš
Publikováno v:
Svět literatury / World of Literature. XXVIII(58):74-84
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=716407
Autor:
Záviš Šuman
Publikováno v:
Svět Literatury, Vol 28, Iss 58, Pp 74-84 (2018)
The article focuses on some of the obstacles which the French early-modern dramatists had to face when choosing a sacred subject-matter. Certain of d’Aubignac’s remarks on the period’s theatrical practice allow us to detect the main arguments
Externí odkaz:
https://doaj.org/article/ae40437842754054b72e78071ca81043
Autor:
Maisonneuve, Lauriane
Apostrophe et interrogation étant les figures interlocutives les plus employées à l’ouverture des tragédies classiques, nous proposons une étude stylistique de leurs différentes réalisations. L’exploitation de ces figures motive ainsi le r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ed2fb5decc51a7b0bf5e495d870bece6
Autor:
Bajer, Michał
Publikováno v:
TERMINUS. 16(4 (33)):451-470
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=426353
Autor:
Woodrough, Elizabeth1
Publikováno v:
Modern Language Review. Jan1992, Vol. 87 Issue 1, p197-199. 3p.
Autor:
Slaney, Helen, author
Publikováno v:
The Senecan Aesthetic : A Performance History, 2015.
Externí odkaz:
https://doi.org/10.1093/acprof:oso/9780198736769.003.0005
Autor:
Giancarlo Fasano
Publikováno v:
Revue Italienne d'Etudes Françaises, Vol 3 (2013)
Externí odkaz:
https://doaj.org/article/27a37cfd9fad4bb3955be9093813b8c8
Autor:
Záviš Šuman
Publikováno v:
Études romanes de Brno, Vol 32, Iss 1 (2013)
The classical drama theory in France reduces the properly dramatic space (classical unity). The tragedy is supposed to take place in close boundaries defined by the proportion of the proscenium. The concentration to which the drama tends in the secon
Externí odkaz:
https://doaj.org/article/ed138903d2444ed7889b3c9600a5b2e4
Autor:
Harris, Joseph, author
Publikováno v:
Inventing the Spectator : Subjectivity and the Theatrical Experience in Early Modern France, 2014.
Externí odkaz:
https://doi.org/10.1093/acprof:oso/9780198701613.003.0003