Zobrazeno 1 - 10
of 167
pro vyhledávání: '"christopher nolan"'
Autor:
Lyubov D. Bugaeva
Publikováno v:
Литература двух Америк, Iss 17, Pp 175-191 (2024)
In the United States, attention to Andrei Tarkovsky’s work has been extensive: Tarkovsky is an important reference point for both filmmakers and film theorists. Paul Schrader refers to him as a transcendental filmmaker and, moreover, introduces the
Externí odkaz:
https://doaj.org/article/1e02def5c4b64c278618db85f14a7b0e
Autor:
Alex Damasceno
Publikováno v:
Intexto, Vol 0, Iss 56, Pp 1-25 (2024)
O artigo investiga o caso do filme Tenet, de Christopher Nolan: um blockbuster que intencionalmente inviabiliza o entendimento da sua história. A problematização parte do conceito de followability, de Gallie, que descreve o ato de acompanhar uma h
Externí odkaz:
https://doaj.org/article/93dbb24924ea4859aa9927731f9a04be
Autor:
Djamila Houamdi
Publikováno v:
University of Bucharest Review. Literary and Cultural Studies Series, Vol 14, Iss 2, Pp 81-92 (2024)
The works of Christopher Nolan, besides achieving commercial success and critical acclaim, are often singled out for their remarkable preoccupation with time. His innovative representation of time, its passage and impact, is reflected in his intransi
Externí odkaz:
https://doaj.org/article/59bf7e48ae0a42c492b6032ba47cb1b3
Autor:
Kevin Hunt
Publikováno v:
Film-Philosophy, Vol 26, Iss 3, Pp 308-330 (2022)
This article discusses Michel Serres's topological thinking and his approach to space and time from a film studies perspective, specifically looking at connections between Serresian philosophy and the work of Christopher Nolan, using Dunkirk (2017) a
Externí odkaz:
https://doaj.org/article/9b03332c7a8847a988f6d95946c17062
Autor:
Jamie Davies
Publikováno v:
Journal for Interdisciplinary Biblical Studies, Vol 4, Iss 3, Pp 42-58 (2022)
This essay examines the Book of Revelation in dialogue with the films of Christopher Nolan, with particular attention to the use of nonlinear narrative. The approach taken to Nolan’s work is that of auteur theory, a pattern theory which traces the
Externí odkaz:
https://doaj.org/article/ea7e817043ff419394f898c6634a67c2
Autor:
Öztürk, Ridade
Publikováno v:
SineFilozofi. 7:155-167
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1090520
Autor:
Adam Barkman, Aaron Korvemaker
Publikováno v:
Religions, Vol 14, Iss 12, p 1535 (2023)
In this article, we discuss C. S. Lewis’s description, and critique, of metaphysical naturalism, and apply this to our reading of the Joker in Christopher Nolan’s The Dark Knight. We argue that Nolan’s Joker is the most ethically consistent typ
Externí odkaz:
https://doaj.org/article/7798d2e5e8464924b0e3faad90a923fd
Autor:
Viktorija Lankauskaitė
Publikováno v:
Creativity Studies, Vol 16, Iss 1 (2023)
Christopher Nolan’s cinema and its immersive quality is appreciated by audiences and critics alike, and already analysed by researchers, often mentioning “claustrophobia” as a feeling encountered in his films. However, a number of extensive exp
Externí odkaz:
https://doaj.org/article/96df9add80d747e393ea78821936345d
Autor:
Cox, John D.1
Publikováno v:
Christianity & Literature. Spring/Summer1997, Vol. 46 Issue 3/4, p273-291. 19p.
Autor:
Dahms, Harry F.
Publikováno v:
Soundings: An Interdisciplinary Journal, 2020 May 01. 103(2), 121-157.
Externí odkaz:
https://www.jstor.org/stable/10.5325/soundings.103.2.0121