Zobrazeno 1 - 10
of 151
pro vyhledávání: '"castrato"'
Autor:
Wilbourne, Emily, author
Publikováno v:
Voice, Slavery, and Race in Seventeenth-Century Florence, 2023, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780197646915.003.0014
Autor:
Vavoulis, Vassilis
Publikováno v:
Early Music. Aug2016, Vol. 44 Issue 3, p501-503. 3p.
Autor:
STEIGERWALD, MEGAN1
Publikováno v:
Notes. Jun2016, Vol. 72 Issue 4, p781-784. 4p. 1 Illustration.
Autor:
Fekete, Miklós
Publikováno v:
Studia Universitatis Babes-Bolyai - Musica. 62(1):49-62
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=552814
Autor:
Lisecka, Małgorzata
Publikováno v:
Bulletin of the Transilvania University of Braşov, Series VIII: Performing Arts. 11(2):73-86
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=734109
Autor:
Camille Rogers
Publikováno v:
Whatever, Vol 2, Iss 1 (2019)
This article seeks out queer resonances in the peculiar lives and sensational music of the castrati: castrated male singers who, on operatic stages of the seventeenth and eighteenth centuries, proved their virility not through the strength or reprodu
Externí odkaz:
https://doaj.org/article/f25ebcaf2a5f4bb59a510dc76cdd1bf6
Autor:
Pierre Degott
Publikováno v:
Etudes Epistémè, Vol 34 (2019)
Although modern operatic scholarship has spent considerable time studying the erotic power of nineteenth-century crossdressing, English baroque opera seems to have been slightly overlooked in that respect. As far as Handel’s production is concerned
Externí odkaz:
https://doaj.org/article/231a37246955427284c69d54771d5bf7
Autor:
Crawford, Katherine
Publikováno v:
Journal for Early Modern Cultural Studies, 2016 Apr 01. 16(2), 59-90.
Externí odkaz:
https://www.jstor.org/stable/jearlmodcultstud.16.2.59
Autor:
Sweet, Bridget, author
Publikováno v:
Thinking Outside the Voice Box : Adolescent Voice Change in Music Education, 2019.
Externí odkaz:
https://doi.org/10.1093/oso/9780190916374.003.0001
Autor:
Miklós FEKETE
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 62, Iss 1 (2017)
Castratos, as the primo uomo-s of the baroque operatic Stages. This paper presents the importance of the castrato-phenomenon in the history of the European music. From the humiliation and punishment of the defeated, castration became first in the Byz
Externí odkaz:
https://doaj.org/article/e5b209aa53484cb18d8c6fdc7e4d07b4