From Postdramatic Heterogeneity to New Reflections on Noise: The House of Extreme Music Theater and the Schachtophonia Accenni for Kamov

Autor: Anamarija Žugić Borić

Publikováno v: Pulse, Vol 9, Pp 1-21 (2022)

Performative methodology of the House of Extreme Music Theater led by Croatian, Zagreb-based performing artists Damir Bartol Indoš and Tanja Vrvilo is largely based on the creation, recycling and abundant use of sound objects, deconstruction of voic

Externí odkaz: https://doaj.org/article/bfc63e7262fa4f9b93f2ff0988674c1c

Southern Discomfort: Clanking, Rattling, and Screaming in 'The Texas Chain Saw Massacre' (Tobe Hooper, 1974)

Autor: Christophe Chambost

Publikováno v: Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world
Miranda : Revue pluridisciplinaire sur le monde anglophone. Multidisciplinary peer-reviewed journal on the English-speaking world, Laboratoire CAS (Cultures anglo-saxonnes), 2021, Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis, 22
Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 22 (2021)

The article analyzes the role played by both the diegetic sounds and the music in The Texas Chain Saw Massacre (Tobe Hooper, 1974). Resorting to some atonal score made of jarring notes coupled with diegetic sounds of the most bizarre sort (from the r

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::acc6a08ab69db803485e06040737a761
http://hdl.handle.net/20.500.12278/127542

Tento výsledek nelze pro nepřihlášené uživatele zobrazit.
K zobrazení výsledku je třeba se přihlásit.