In the House of Humanity Catastrophe and Ecstasy Hold Hands

Autor: Kim Anno

Publikováno v: Parse Journal, Vol Powers of Love, Iss 19 (2024)

Humanity may be thought of as a vernacular house of handmade rooms, some shackled, some finely crafted, some patched and repurposed and some clean and empty, waiting. Some spaces have high ceilings filled with music that echoes off stone walls or woo

Externí odkaz: https://doaj.org/article/11081eee55b94e08a04013b067d02b6c

Epilogue

Autor: Hoy, Benjamin, author

Publikováno v: A Line of Blood and Dirt : Creating the Canada-United States Border across Indigenous Lands, 2021.

Externí odkaz: https://doi.org/10.1093/oso/9780197528693.003.0012

Transculturalidad y borderología: El arte fronterizo de Guillermo Gómez-Peña

Autor: Andrea Gremels

Publikováno v: iMex. México Interdisciplinario/Interdisciplinary Mexico, Vol 5, Iss 9, Pp 76-89 (2016)

The border between Mexico and the United States is the programmatic topic in the performance art of Guillermo Gómez-Peña, a chicano artist who emigrated to the United States at the age of 22. By calling himself “performancero migrante” y “bor

Externí odkaz: https://doaj.org/article/3d8c36314cb040b7815eeb2300723b79

Framing/Unframing Space: But Where Is the Frame? 'Border Art' as a Vehicle to Think Inclusion

Autor: Amilhat Szary, Anne-Laure

Publikováno v: Polysèmes.

L’article analyse ce que signifient le cadrage et le décadrage d’un point de vue géographique, c’est-à-dire en interrogeant la spatialité du cadre. Nous considérons que le cadre constitue plus qu’une ligne tracée autour d’un ensemble

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::44deb6bfffeca3b0c43f721447df70ef
https://doi.org/10.4000/polysemes.10369

Crossing borders y nuevas creatividades. El pensamiento de frontera en la producción artística de Teresa Margolles y Guillermo Gómez- Peña

Autor: Modesta Di Paola

Publikováno v: Anales de Historia del Arte; Vol 30 (2020): The voyage as the shelter of art: journeys, borderlands, and uprooting; 121-141
Anales de Historia del Arte; Vol. 30 (2020): La travesía como morada del arte: viaje, frontera y desarraigo; 121-141
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)

In a new scenario of theoretical and critical productions of contemporary art, redefined by global flows and the mobility of genres, disciplines and methodologies, there is a need to create new tools for interpreting artistic practices. Theorists fro

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1fb3751e411dcf5666af1ab919cdf2ec
https://doi.org/10.5209/anha.72176