Zobrazeno 1 - 10
of 94
pro vyhledávání: '"andrea pinotti"'
Autor:
Ilaria Ampollini, Fabrizia Bandi, Federica Cavaletti, Pietro Conte, Margherita Fontana, Giancarlo Grossi, Andrea Pinotti, Sofia Pirandello, Ilaria Terrenghi
Publikováno v:
img journal, Iss 9, Pp 40-73 (2024)
The ERC Advanced Grant AN-ICON, coordinated by Andrea Pinotti and hosted by the Department of Philosophy Piero Martinetti of the University of Milan, is cross-disciplinary project that brings together aesthetics, media theory, archaeology and various
Externí odkaz:
https://doaj.org/article/fc28bc9aace7494298b7cf76f1407f82
Publikováno v:
Aisthesis, Vol 16, Iss 1 (2023)
The increased availability and usage of immersive devices, together with futuristic narratives promoted by technology and media “gurus” and entrepreneurs, has encouraged a strong revival of the notion of virtuality. At first sight, this notion ap
Externí odkaz:
https://doaj.org/article/d7c4dd603b5545de926442d887229bfc
Autor:
Andrea Pinotti
Publikováno v:
Images Re-Vues, Vol 10 (2022)
This paper addresses 360-degree virtual immersive environments as image production and reception devices that produce an apparent deconstruction of the pictorial frame and filmic framing. Through such deconstruction, such environments promise to allo
Externí odkaz:
https://doaj.org/article/ad7768bfa9664289b029cb73e612ea1d
Autor:
Andrea Pinotti
Publikováno v:
Cinéma & Cie, Vol 22, Iss 38 (2022)
Externí odkaz:
https://doaj.org/article/8e50ee4eeaa0454bbfe393448351ae61
Autor:
andrea pinotti
Publikováno v:
AN-ICON, Vol 1, Iss I (2022)
In this paper, I will work on the relationship between perception and imagination in Virtual Reality, claiming that “hallucination” is the ordinary motor also for online perception and not only a deviant form of it. First, I will deal with the pr
Externí odkaz:
https://doaj.org/article/0c703008798e412794afcfc954202148
Autor:
andrea pinotti, Lily Hibberd
Publikováno v:
AN-ICON, Vol 1, Iss I (2022)
As with films previously, claims are being made today about the capacity of immersive environments, including virtual reality, to offer viewers or experiencers effective simulations of altered states of consciousness. In this article, we look anew at
Externí odkaz:
https://doaj.org/article/a45ab8174b4f4fbdbe1faf02b052e7e9
Autor:
firm editor, Andrea Pinotti
Publikováno v:
AN-ICON, Vol 1, Iss I (2022)
Dream images, anticipations of the future, memories of the past, perceptual distortions, delusional hallucinations, cognitions intoxicated by alcohol and drugs have always inhabited the visual representations of paintings, comics, films, television s
Externí odkaz:
https://doaj.org/article/5f00a825386f473a996721515fb223b8
Autor:
andrea pinotti
Publikováno v:
AN-ICON, Vol 1, Iss I (2022)
This article discusses the following points: • The analogies which can be identified between Virtual Reality (VR) and the hallucinatory aspects of dream activity make sense within a network of relations characterised by certain important cognitive
Externí odkaz:
https://doaj.org/article/14c475c18b204b4b85a2f7affe45894c
Autor:
andrea pinotti
Publikováno v:
AN-ICON, Vol 1, Iss I (2022)
The article intends to propose some analyses of a possible formal occurrence of “altered states” in cinema: the stopping of the flow of the cinematographic image in a still image. Through some theoretical references (Metz, Bazin, Lyotard, Deleuze
Externí odkaz:
https://doaj.org/article/cd82cc7fb0484174a8888d632842e873
Publikováno v:
piano b, Vol 6, Iss 1, Pp I-II (2022)
Externí odkaz:
https://doaj.org/article/e3d71e7385954d13bf8646e7af4efef1